Browse by Topic: Funding

Financing of Web Documentaries
Sabine Bubeck-Paaz
Financing of Web Documentaries
Business Models today
Adam Gee
Business Models today
Diverse partnerships might lead to diverse funding
Shreepali Patel
Diverse partnerships might lead to diverse funding
The market of interactive media
Maya Eriksson
The market of interactive media
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
Co-financing innovative forms of documentary
Katrine Kiilgaard
Co-financing innovative forms of documentary
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
Distribution on many platform can help to get impact and financing for the film
Margje de Koning
Distribution on many platform can help to get impact and financing for the film
How to manage innovation and financing
Katrine Kiilgaard
How to manage innovation and financing
NGOs are using VR for funding: the impact on society
Mark Atkin
NGOs are using VR for funding: the impact on society
The rapid expansion and applications of VR in the last years
Mark Atkin
The rapid expansion and applications of VR in the last years
How can a filmmaker collaborate with Médecins Sans Frontières
Nora Guicheney
How can a filmmaker collaborate with Médecins Sans Frontières
Médecins Sans Frontières’ media strategy
Nora Guicheney
Médecins Sans Frontières’ media strategy
The benefits of financing an impact marketing campaign
Sarah Mosses
The benefits of financing an impact marketing campaign
Every film is different, and every film needs a different financing strategy
Mike Lerner
Every film is different, and every film needs a different financing strategy
How NAMAC supports projects
Wendy Levy
How NAMAC supports projects
Experimenting with digital media and the importance of public funding
Bruno Smadja
Experimenting with digital media and the importance of public funding
The role of TVs and the new digital world
Bruno Smadja
The role of TVs and the new digital world
The team in an animated documentary project
Jan-Dirk Bouw
The team in an animated documentary project
Let’s come together: building partnerships for the good of your project
Katerina Cizek
Let’s come together: building partnerships for the good of your project
Audience and access: VR public exhibitions, web distribution, funding
Mark Atkin
Audience and access: VR public exhibitions, web distribution, funding
Public funding is needed to develop new ways of storytelling
Mark Atkin
Public funding is needed to develop new ways of storytelling
Alternative funding: the “Valigia Blu” case study
Matteo Moretti
Alternative funding: the “Valigia Blu” case study
Funding within public institutions vs independent journalists
Matteo Moretti
Funding within public institutions vs independent journalists
Funds and funding
Jamie Balliu
Funds and funding
Financing strategies
Lena Thiele
Financing strategies
Love & Passion
Kim Daniel Arthur
Love & Passion
Changes in documentary production
Caroline Mutz
Changes in documentary production
Golden rules for young documentarians
Lucia Haslauer
Golden rules for young documentarians
New chances with cross-media projects
Lucia Haslauer
New chances with cross-media projects
The biggest problem
Caroline Mutz
The biggest problem
Introduction and job description
Hanka Kastelicova
Introduction and job description
Our production's characteristics
Hanka Kastelicova
Our production's characteristics
The documentary projects we are looking for
Hanka Kastelicova
The documentary projects we are looking for
Are there financing possibilities for transmedia projects?
Leena Pasanen
Are there financing possibilities for transmedia projects?
Changes in financing for documentary
Leena Pasanen
Changes in financing for documentary
Differences on producing fiction and documentary films
Heino Deckert
Differences on producing fiction and documentary films
Golden rule for a producer
Heino Deckert
Golden rule for a producer
How can a project get finances
Heino Deckert
How can a project get finances
Projects with chances on the market
Heino Deckert
Projects with chances on the market
Satisfactions in my job
Heino Deckert
Satisfactions in my job
Typical mistakes for a producer
Heino Deckert
Typical mistakes for a producer
Financing projects
Sebastian Baurmann
Financing projects
Golden rules developing projects
Sebastian Baurmann
Golden rules developing projects
Convergent media on the market
Mark Atkin
Convergent media on the market
Get funds for interactive projects
Mark Atkin
Get funds for interactive projects
How and why we finance our projects
Francesca Panetta
How and why we finance our projects
Low costs of interactive projects
Mark Atkin
Low costs of interactive projects
The Guardian
Francesca Panetta
The Guardian
Reasons why campaign can fail
Ben Kempass
Reasons why campaign can fail
Reasons why I make this job
Ben Kempass
Reasons why I make this job
Projects with challenges on the market
Florian Thalhofer
Projects with challenges on the market
The market, from my point of view
Florian Thalhofer
The market, from my point of view
Developments of the market for transmedia projects
Lena Thiele
Developments of the market for transmedia projects
Frustrating moments: funding and expectations
Lena Thiele
Frustrating moments: funding and expectations
How I became an impact producer
Sarah Mosses
How I became an impact producer
My job
Sarah Mosses
My job
The need of marketing tools for web documentary
Lena Thiele
The need of marketing tools for web documentary
The role of impact producer (… for dummies :)
Sarah Mosses
The role of impact producer (… for dummies :)
Things to avoid for a successful campaign
Sarah Mosses
Things to avoid for a successful campaign
A good pitch might not mean “a good film”
Stefano Tealdi
A good pitch might not mean “a good film”
Co-producations are fun...and valuable!
Mick Csáky
Co-producations are fun...and valuable!
Different occasions to present your project = different pitchings
Sibylle Kurz
Different occasions to present your project = different pitchings
Funding in the UK
Charlie Phillips
Funding in the UK
New funding schemes
Nicole Van Schaik
New funding schemes
Shifting to foundations
Nicole Van Schaik
Shifting to foundations
The changes in the audiovisual markets: where's the money now?
Charlie Phillips
The changes in the audiovisual markets: where's the money now?
The key elements of a pitch
Charlie Phillips
The key elements of a pitch
Dos and donts in crossmedia
Mike Dicks
Dos and donts in crossmedia
Filmmakers and social campaigns
Mike Dicks
Filmmakers and social campaigns
Financing Participatory Video Projects
Angelo Loy
Financing Participatory Video Projects
Funding “Drone”
Tonje Hessen-Schei
Funding “Drone”
Pitching: there are no golden rules, but be ready to adapt yourself
Fernanda Rossi
Pitching: there are no golden rules, but be ready to adapt yourself
The new distribution channels
Mike Dicks
The new distribution channels
Translating creativity
Mike Dicks
Translating creativity
The biggest challenge? Finding the right story
Rehad Desai
The biggest challenge? Finding the right story
Funding a crossmedia project
Jamie Balliu
Funding a crossmedia project
Hook your funders...or die trying...
Stefano Tealdi
Hook your funders...or die trying...
My pitching experiences
Audrius Stonys
My pitching experiences
The tricky question: how to fund your interactive project?
Sandra Gaudenzi
The tricky question: how to fund your interactive project?
Working with international co-productions
Mick Csáky
Working with international co-productions
Financing is THE challenge for filmmakers
Yacine Helali
Financing is THE challenge for filmmakers
Funding your project in a transition moment
Mark Atkin
Funding your project in a transition moment
Introducing “GoodPitch”
Nicole Van Schaik
Introducing “GoodPitch”
Funding documentary films
Robert West
Funding documentary films
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