Browse by Topic: Industry

How to submit an idea to Lyfta
Paulina Tervo
How to submit an idea to Lyfta
The educational market as opposed to the documentary market
Paulina Tervo
The educational market as opposed to the documentary market
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Paulina Tervo
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Business Models today
Adam Gee
Business Models today
Curiosity is the keyword in documentary filmmaking
Audrius Stonys
Curiosity is the keyword in documentary filmmaking
Focusing on on-line products: Little Dot Studios
Adam Gee
Focusing on on-line products: Little Dot Studios
How format affects impact
Ondřej Moravec
How format affects impact
Impact production today
Danielle Turkov
Impact production today
My views on the future of documentary
Ondřej Moravec
My views on the future of documentary
Openness: from local to global
Audrius Stonys
Openness: from local to global
The documentary influence across the industry
Ondřej Moravec
The documentary influence across the industry
The uniqueness of different cinematic languages around the world
Audrius Stonys
The uniqueness of different cinematic languages around the world
What can be a “human rights” film and how we deal with impact campaigning
Ondřej Moravec
What can be a “human rights” film and how we deal with impact campaigning
Cinematic language needs to change constantly
Audrius Stonys
Cinematic language needs to change constantly
Multiplatform formats are suitable for campaigning
Adam Gee
Multiplatform formats are suitable for campaigning
Diverse partnerships might lead to diverse funding
Shreepali Patel
Diverse partnerships might lead to diverse funding
My professional path
Georg Tschurtschenthaler
My professional path
The collaboration with online platform in a changing industry
Georg Tschurtschenthaler
The collaboration with online platform in a changing industry
The distribution strategy of "The Cleaners"
Georg Tschurtschenthaler
The distribution strategy of "The Cleaners"
The future is a fight for talents and new forms of collaboration
Georg Tschurtschenthaler
The future is a fight for talents and new forms of collaboration
The multi-modal model
Shreepali Patel
The multi-modal model
Working in a changing market: broadcasters, cinema and digital market
Georg Tschurtschenthaler
Working in a changing market: broadcasters, cinema and digital market
First Hand Film – describing my Job
Esther Van Messel
First Hand Film – describing my Job
How we find projects
Esther Van Messel
How we find projects
Our working process
Esther Van Messel
Our working process
The cooperation process: interactive projects needs new types of team
Maya Eriksson
The cooperation process: interactive projects needs new types of team
Documentaries are my favourite: real story of real people
Simone Baumann
Documentaries are my favourite: real story of real people
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
The market model for Netflix / Amazon
Simone Baumann
The market model for Netflix / Amazon
What CPH-Dox Festival does
Katrine Kiilgaard
What CPH-Dox Festival does
Commissioning at “ARTE Creative”: digital content for younger people
Alexander Knetig
Commissioning at “ARTE Creative”: digital content for younger people
The essential skill for cross-media and VR productions? Team working
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
New ways to combine traditional and immersive media
Mark Atkin
New ways to combine traditional and immersive media
The rapid expansion and applications of VR in the last years
Mark Atkin
The rapid expansion and applications of VR in the last years
Every film is different, and every film needs a different financing strategy
Mike Lerner
Every film is different, and every film needs a different financing strategy
Experimenting with digital media and the importance of public funding
Bruno Smadja
Experimenting with digital media and the importance of public funding
The evolution of Cross Video Days
Bruno Smadja
The evolution of Cross Video Days
The role of TVs and the new digital world
Bruno Smadja
The role of TVs and the new digital world
Finding the purpose of your project, and measuring its feedback
Jamie Balliu
Finding the purpose of your project, and measuring its feedback
Project development in the digital production environment
Jamie Balliu
Project development in the digital production environment
What is gaming
Kim Daniel Arthur
What is gaming
Changes in documentary production
Caroline Mutz
Changes in documentary production
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Cross-media projects currently supported by ZDF
Lucia Haslauer
Cross-media projects currently supported by ZDF
Introduction and job description
Lucia Haslauer
Introduction and job description
Are there financing possibilities for transmedia projects?
Leena Pasanen
Are there financing possibilities for transmedia projects?
Changes in financing for documentary
Leena Pasanen
Changes in financing for documentary
Differences on producing fiction and documentary films
Heino Deckert
Differences on producing fiction and documentary films
Golden rule for a producer
Heino Deckert
Golden rule for a producer
How can a project get finances
Heino Deckert
How can a project get finances
Introduction and job description
Heino Deckert
Introduction and job description
Projects with chances on the market
Heino Deckert
Projects with chances on the market
The future for Dok Leipzig Festival
Leena Pasanen
The future for Dok Leipzig Festival
Convergent media on the market
Mark Atkin
Convergent media on the market
Get funds for interactive projects
Mark Atkin
Get funds for interactive projects
Skills to become a special project editor
Francesca Panetta
Skills to become a special project editor
Ethical behaviour simply means be honest
Kris Krois
Ethical behaviour simply means be honest
Developments of the market for transmedia projects
Lena Thiele
Developments of the market for transmedia projects
Interdisciplinarity: skills for transmedia projects
Lena Thiele
Interdisciplinarity: skills for transmedia projects
The role of impact producer (… for dummies :)
Sarah Mosses
The role of impact producer (… for dummies :)
Interactivity for social projects
Jamie Balliu
Interactivity for social projects
There are no golden rules. You have to reasearch
Jamie Balliu
There are no golden rules. You have to reasearch
What is a crossmedia project?
Jamie Balliu
What is a crossmedia project?
“Drone”
Tonje Hessen-Schei
“Drone”
Documentaries today
Mike Lerner
Documentaries today
The challenges of a producer
Mike Lerner
The challenges of a producer
Crossmedia and films: a slow journey
Fabio Mancini
Crossmedia and films: a slow journey
Facing the market
Audrius Stonys
Facing the market
Funding a crossmedia project
Jamie Balliu
Funding a crossmedia project
Hook your funders...or die trying...
Stefano Tealdi
Hook your funders...or die trying...
Mixing traditional films and new media elements
Jamie Balliu
Mixing traditional films and new media elements
My experience at ESoDoc
Chris Leslie
My experience at ESoDoc
My pitching experiences
Audrius Stonys
My pitching experiences
Practice your pitching skills
Flora Gregory
Practice your pitching skills
Producing a documentary film
Stefano Tealdi
Producing a documentary film
The challenges for today's filmmakers
Mick Csáky
The challenges for today's filmmakers
The market needs and international co-productions
Fabio Mancini
The market needs and international co-productions
The rising importance of an online presence
Flora Gregory
The rising importance of an online presence
The tricky question: how to fund your interactive project?
Sandra Gaudenzi
The tricky question: how to fund your interactive project?
Three Golden Rules for filmmakers
Flora Gregory
Three Golden Rules for filmmakers
Too many terms...too much confusion
Sandra Gaudenzi
Too many terms...too much confusion
Trends in the global market
Flora Gregory
Trends in the global market
Who's the audience of online documentaries?
Sandra Gaudenzi
Who's the audience of online documentaries?
Words vs. Visuals when presenting your film
Flora Gregory
Words vs. Visuals when presenting your film
Working with international co-productions
Mick Csáky
Working with international co-productions
Being a woman filming in difficult situation
Julie Noon
Being a woman filming in difficult situation
Financing is THE challenge for filmmakers
Yacine Helali
Financing is THE challenge for filmmakers
Funding your project in a transition moment
Mark Atkin
Funding your project in a transition moment
New storytelling vs. tradional storytelling
Julie Noon
New storytelling vs. tradional storytelling
What is “Crossover”
Mark Atkin
What is “Crossover”
Arte Future
Sabine Bubeck-Paaz
Arte Future
Arte on the web
Sabine Bubeck-Paaz
Arte on the web
Arte programmes online
Sabine Bubeck-Paaz
Arte programmes online
From “news packages” to “creative productions”
Maarten van Rouveroy
From “news packages” to “creative productions”
Greenpeace's film units
Maarten van Rouveroy
Greenpeace's film units
Introducing “GoodPitch”
Nicole Van Schaik
Introducing “GoodPitch”
Investing on crossmedia projects
Sabine Bubeck-Paaz
Investing on crossmedia projects
“The Act of Killing”: the commissioning process
Sabine Bubeck-Paaz
“The Act of Killing”: the commissioning process
“The Brussels Business”: the commissiong process
Sabine Bubeck-Paaz
“The Brussels Business”: the commissiong process
BBC: how has it changed
Hugh Purcell
BBC: how has it changed
The grammar of camera: how has it changed
Hugh Purcell
The grammar of camera: how has it changed
Share your playlist
Playlist copied