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Market
Simon Løvind
Surviving as indie game designer
Sabine Bubeck-Paaz
Financing of Web Documentaries
Erik Winker
How to think about producing a project
Sabine Bubeck-Paaz
Impact is thinking about documentaries early on
Erik Winker
Motivation for producing
Erik Winker
Production company corso film
Erik Winker
The ethics of documentary filmmaking
Erik Winker
The future of creative documentary
Erik Winker
Three things you need as a producer
Sabine Bubeck-Paaz
Viewer behaviour on web by age
Erik Winker
What Erik Winker does
Sabine Bubeck-Paaz
Whole Interview
Erik Winker
Work in different segments of documentary market
Becky Hutner
Approaching Impact in a four pronged manner
Paulina Tervo
How interactive storytelling became the immersive learning platform Lyfta
Paulina Tervo
The educational market as opposed to the documentary market
Adam Gee
Business Models today
Adam Gee
Focusing on on-line products: Little Dot Studios
Ondřej Moravec
My views on the future of documentary
Adam Gee
New talents, new angles
Audrius Stonys
Openness: from local to global
Adam Gee
Story vs Topic
Ondřej Moravec
The documentary influence across the industry
Audrius Stonys
The uniqueness of different cinematic languages around the world
Georg Tschurtschenthaler
My professional path
Georg Tschurtschenthaler
The collaboration with online platform in a changing industry
Georg Tschurtschenthaler
The distribution strategy of "The Cleaners"
Georg Tschurtschenthaler
Working in a changing market: broadcasters, cinema and digital market
Esther Van Messel
First Hand Film – describing my Job
Esther Van Messel
How we find projects
Esther Van Messel
Our working process
Esther Van Messel
What does it means for documentary the development of the new media
Maya Eriksson
The market of interactive media
Maya Eriksson
The mission of Interactive Media Foundation
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
The market model for Netflix / Amazon
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
How to manage innovation and financing
Margje de Koning
Type of documentaries we are looking for
Katrine Kiilgaard
What CPH-Dox Festival does
Margje de Koning
What is leak in the documentary productions
Freddy Neumann
Being a publisher is working as a strategic consultant
Freddy Neumann
Creating an audience: start from the development stage!
Freddy Neumann
The future of the documentary market: we need a new kind of storytelling
Alexander Knetig
Public services and new media: big changes in society and democracy
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
Mark Atkin
The rapid expansion and applications of VR in the last years
Sarah Mosses
Business tools for an impact distribution campaign
Sarah Mosses
The benefits of financing an impact marketing campaign
Mike Lerner
Does the rise of the digital market really impact my film?
Mike Lerner
Every film is different, and every film needs a different financing strategy
Bruno Smadja
Experimenting with digital media and the importance of public funding
Jan-Dirk Bouw
The impact of animation on young audience
Bruno Smadja
The role of TVs and the new digital world
Jan-Dirk Bouw
The team in an animated documentary project
Mark Atkin
Broadcast VS digital distribution: storytelling and characters are the keys
Mark Atkin
Public funding is needed to develop new ways of storytelling
Jamie Balliu
Finding the purpose of your project, and measuring its feedback
Jamie Balliu
Funds and funding
Jamie Balliu
Understanding the user motivation and ability to raise user engagement
Sarah Mosses
Impact distribution strategy: the business plan
Kim Daniel Arthur
Love & Passion
Kim Daniel Arthur
The changing distribution models in the gaming industry
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Golden rules for young documentarians
Lucia Haslauer
Use of new technologies may give more chances to documentary
Hanka Kastelicova
Developments of documentary for the future
Hanka Kastelicova
Team collaboration for productions: my motivation
Heino Deckert
Golden rule for a producer
Heino Deckert
How can a project get finances
Heino Deckert
Projects with chances on the market
Leena Pasanen
The future for Dok Leipzig Festival
Heino Deckert
Typical mistakes for a producer
Mark Atkin
Convergent media on the market
Mark Atkin
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Mark Atkin
Get funds for interactive projects
Francesca Panetta
How and why we finance our projects
Fernanda Rossi
Changes in productions
Fernanda Rossi
The pitfalls in projects
Ben Kempass
Successful projects has to show more nuances of reality
Ben Kempass
The market
Florian Thalhofer
Projects with challenges on the market
Florian Thalhofer
Tendency for the successful projects
Florian Thalhofer
The market, from my point of view
Kris Krois
Chances for video journalism in the market
Kris Krois
Cross-points between documentary and visual communication
Sarah Mosses
An example of an excellent campaign: Virunga
Lena Thiele
Developments of the market for transmedia projects
Sarah Mosses
Out of region impact of the market
Sarah Mosses
Skills for impact producers
Sarah Mosses
Strategies on distribution and marketing
Lena Thiele
The need of marketing tools for web documentary
Sarah Mosses
We are looking for strong films for emotional projects
Nicole Van Schaik
Shifting to foundations
Charlie Phillips
The changes in the audiovisual markets: where's the money now?
Mick Csáky
Today's market: is it the right place for documentary?
Mike Dicks
The new distribution channels
Fabio Mancini
Crossmedia and films: a slow journey
Audrius Stonys
Facing the market
Hugh Purcell
My “key elements” for a documentary
Mick Csáky
The challenges for today's filmmakers
Fabio Mancini
The market needs and international co-productions
Sandra Gaudenzi
The tricky question: how to fund your interactive project?
Flora Gregory
Trends in the global market
Mick Csáky
Working with international co-productions
Mark Atkin
Funding your project in a transition moment
Maarten van Rouveroy
From “news packages” to “creative productions”
Nicole Van Schaik
Introducing “GoodPitch”
Sabine Bubeck-Paaz
Investing on crossmedia projects
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