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Networking
Sabine Bubeck-Paaz
Advice for young filmmakers
Sabine Bubeck-Paaz
ESoDoc is on the forefront of documentary storytelling
Raimo Lång
Raimos vision for ESoDoc, storytelling, teamwork, truth
Danielle Turkov
Everything you do with film is politics
Audrius Stonys
The uniqueness of different cinematic languages around the world
Danielle Turkov
To achieve impact you need collaboration
Danielle Turkov
What makes a good impact film?
Shreepali Patel
Diverse partnerships might lead to diverse funding
Shreepali Patel
ESoDoc’s treasure: diversity
Maya Eriksson
The cooperation process: interactive projects needs new types of team
Katrine Kiilgaard
Co-financing innovative forms of documentary
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
How to manage innovation and financing
Joelle Alexis
I put myself in work collaboration: I chose the topics related to my personal life
Joelle Alexis
The key role of the editor in filmmaking; the “Rough Cut” group
Kris Krois
Eco-social design: definition and examples
Kris Krois
Interdisciplinarity is a “must” for modern projects
Sarah Mosses
Business tools for an impact distribution campaign
Nora Guicheney
How can a filmmaker collaborate with Médecins Sans Frontières
Nora Guicheney
Médecins Sans Frontières’ media strategy
Matthieu Lietaert
Collaborative networks are the future!
Matthieu Lietaert
Internet is a tool to increase cooperation
Wendy Levy
Creative expression: finding inspiration in the differences
Wendy Levy
How NAMAC supports projects
Wendy Levy
My job and the mission of NAMAC
Bruno Smadja
The evolution of Cross Video Days
Katerina Cizek
Co-creation in making documentaries
Katerina Cizek
Managing complexity in the team network
Katerina Cizek
The MIT and the Open Documentary Lab
Sabine Bubeck-Paaz
The future is collaborative!
Matteo Moretti
Alternative funding: the “Valigia Blu” case study
Matteo Moretti
Visual journalism vs data journalism
Matteo Moretti
Visual journalism: the development process
Kim Daniel Arthur
Gaming, documentary and social change: the impact in society
Kim Daniel Arthur
The changing distribution models in the gaming industry
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Golden rules for young documentarians
Caroline Mutz
Impressions on ESoDoc
Hanka Kastelicova
Team collaboration for productions: my motivation
Sebastian Baurmann
The film team members of a film project
Mark Atkin
An example of virtual reality documentary
Mark Atkin
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Francesca Panetta
How and why we finance our projects
Francesca Panetta
My working team
Fernanda Rossi
For me there is only one rule: listen
Fernanda Rossi
The way we can improve our projects with story analysis
Ben Kempass
Documentaries can change society
Ben Kempass
Reasons why campaign can fail
Ben Kempass
Rules to be a good campaigner
Ben Kempass
Skills to become a campaign creator
Matteo Moretti
A visual journalism project: People's Republic on Bolzano
Kris Krois
Chances for video journalism in the market
Kris Krois
Cross-points between documentary and visual communication
Matteo Moretti
My teaching is web and motion design based on project
Matteo Moretti
Three golden rules
Matteo Moretti
Three mistakes to avoid
Matteo Moretti
We need an interdisciplinary team for visual journalism projects
Lena Thiele
The need of marketing tools for web documentary
Sarah Mosses
Things to avoid for a successful campaign
Charlie Phillips
Crowdfunding: creating an audience, creating a distribution strategy
Charlie Phillips
Understanding crowdfunding
Yacine Helali
Financing is THE challenge for filmmakers
Nicole Van Schaik
Introducing “GoodPitch”
Caroline Mutz
Being part of a community
Nicolette Nol
Get a lot of expertise in your team
Sabine Bubeck-Paaz
The “ESoDoc family”
Sabine Bubeck-Paaz
The rapid development of cross-media
Caroline Mutz
The sense of documentary making at ESoDoc
Mark Atkin
Introducing: Mark Atkin
Fernanda Rossi
The atmosphere at ESoDoc
Robert West
Connecting filmmakers and NGOs
Fany de la Chica
Connecting with the audiovisual industry at ESoDoc
Joost Bevernage
ESoDoc in a nutshell
Anna Azzolini
The benefits of networks
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