Browse by Topic: Project Development

ESoDoc is on the forefront of documentary storytelling
Sabine Bubeck-Paaz
ESoDoc is on the forefront of documentary storytelling
Impact is thinking about documentaries early on
Sabine Bubeck-Paaz
Impact is thinking about documentaries early on
What makes a good documentary
Sabine Bubeck-Paaz
What makes a good documentary
Whole Interview
Sabine Bubeck-Paaz
Whole Interview
“The Bridges fo Time”: why do we do what we do
Audrius Stonys
“The Bridges fo Time”: why do we do what we do
Curiosity is the keyword in documentary filmmaking
Audrius Stonys
Curiosity is the keyword in documentary filmmaking
Impact production today
Danielle Turkov
Impact production today
New talents, new angles
Adam Gee
New talents, new angles
Openness: from local to global
Audrius Stonys
Openness: from local to global
Story vs Topic
Adam Gee
Story vs Topic
The documentary influence across the industry
Ondřej Moravec
The documentary influence across the industry
The uniqueness of different cinematic languages around the world
Audrius Stonys
The uniqueness of different cinematic languages around the world
To achieve impact you need collaboration
Danielle Turkov
To achieve impact you need collaboration
What makes a good impact film?
Danielle Turkov
What makes a good impact film?
Multiplatform formats are suitable for campaigning
Adam Gee
Multiplatform formats are suitable for campaigning
"The Cleaners": a once-in-a-lifetime project
Georg Tschurtschenthaler
"The Cleaners": a once-in-a-lifetime project
My professional path
Georg Tschurtschenthaler
My professional path
Story Lab: our mission and vision
Shreepali Patel
Story Lab: our mission and vision
The future is a fight for talents and new forms of collaboration
Georg Tschurtschenthaler
The future is a fight for talents and new forms of collaboration
The multi-modal model
Shreepali Patel
The multi-modal model
Our working process
Esther Van Messel
Our working process
The differences between Participatory Video and an amateur film
Lisa Glahn
The differences between Participatory Video and an amateur film
The methodology of the process in Participatory Video projects
Lisa Glahn
The methodology of the process in Participatory Video projects
The cooperation process: interactive projects needs new types of team
Maya Eriksson
The cooperation process: interactive projects needs new types of team
The process of verification in adaptive workflow: testing and adapting
Maya Eriksson
The process of verification in adaptive workflow: testing and adapting
How I decide the shooting and film style
Joshua Oppenheimer
How I decide the shooting and film style
How I decide to make a film about Indonesia
Joshua Oppenheimer
How I decide to make a film about Indonesia
Ideas and questions was emerging during the editing process of the films
Joshua Oppenheimer
Ideas and questions was emerging during the editing process of the films
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
How to manage innovation and financing
Katrine Kiilgaard
How to manage innovation and financing
What is leak in the documentary productions
Margje de Koning
What is leak in the documentary productions
Creating an audience: start from the development stage!
Freddy Neumann
Creating an audience: start from the development stage!
ARTE contents: from traditional programming to VR experiences
Alexander Knetig
ARTE contents: from traditional programming to VR experiences
Riot: an immersive project using facial recognition technology and 360° sound
Mark Atkin
Riot: an immersive project using facial recognition technology and 360° sound
Interdisciplinarity is a “must” for modern projects
Kris Krois
Interdisciplinarity is a “must” for modern projects
How can a filmmaker collaborate with Médecins Sans Frontières
Nora Guicheney
How can a filmmaker collaborate with Médecins Sans Frontières
Médecins Sans Frontières’ media production
Nora Guicheney
Médecins Sans Frontières’ media production
The benefits of financing an impact marketing campaign
Sarah Mosses
The benefits of financing an impact marketing campaign
Creative expression: finding inspiration in the differences
Wendy Levy
Creative expression: finding inspiration in the differences
How NAMAC supports projects
Wendy Levy
How NAMAC supports projects
Reaching a realistic feeling: rotoscoping technique and the sound
Jan-Dirk Bouw
Reaching a realistic feeling: rotoscoping technique and the sound
The evolution of Cross Video Days
Bruno Smadja
The evolution of Cross Video Days
The team in an animated documentary project
Jan-Dirk Bouw
The team in an animated documentary project
Co-creation in making documentaries
Katerina Cizek
Co-creation in making documentaries
Let’s come together: building partnerships for the good of your project
Katerina Cizek
Let’s come together: building partnerships for the good of your project
Managing complexity in the team network
Katerina Cizek
Managing complexity in the team network
The MIT and the Open Documentary Lab
Katerina Cizek
The MIT and the Open Documentary Lab
The driving force for impact is good storytelling
Sabine Bubeck-Paaz
The driving force for impact is good storytelling
Audiences on the web: two examples
Matteo Moretti
Audiences on the web: two examples
Development and production strategies in interactive media
Jamie Balliu
Development and production strategies in interactive media
Funding within public institutions vs independent journalists
Matteo Moretti
Funding within public institutions vs independent journalists
Funds and funding
Jamie Balliu
Funds and funding
Project development in the digital production environment
Jamie Balliu
Project development in the digital production environment
Understanding the user motivation and ability to raise user engagement
Jamie Balliu
Understanding the user motivation and ability to raise user engagement
Using the data in journalism: quantitative and qualitative data
Matteo Moretti
Using the data in journalism: quantitative and qualitative data
Visual journalism: the development process
Matteo Moretti
Visual journalism: the development process
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Define the target audience
Sarah Mosses
Define the target audience
Designing impact strategies: start from the essence of your project
Sarah Mosses
Designing impact strategies: start from the essence of your project
Find the right technology for your story
Sebastian Baurmann
Find the right technology for your story
How to start a transmedia project
Lena Thiele
How to start a transmedia project
Is it worth “going transmedia”? It depends from your goals
Lena Thiele
Is it worth “going transmedia”? It depends from your goals
Technology as a tool to tell good stories
Lena Thiele
Technology as a tool to tell good stories
Testing testing testing…
Sebastian Baurmann
Testing testing testing…
The changing distribution models in the gaming industry
Kim Daniel Arthur
The changing distribution models in the gaming industry
The changing media landscape
Lena Thiele
The changing media landscape
The importance of strategic partnerships
Sarah Mosses
The importance of strategic partnerships
The planning phase; the team; the importance of the user experience
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
There are principles in storytelling, but no fixed formulas: dynamic storylines
Fernanda Rossi
There are principles in storytelling, but no fixed formulas: dynamic storylines
Two stories model: plot-driven vs narrative. The story structure continuum
Fernanda Rossi
Two stories model: plot-driven vs narrative. The story structure continuum
Two ways to see storytelling
Fernanda Rossi
Two ways to see storytelling
Use only what is needed for the story: responsive design
Sebastian Baurmann
Use only what is needed for the story: responsive design
We need to balance passion and intellect
Fernanda Rossi
We need to balance passion and intellect
What is gaming
Kim Daniel Arthur
What is gaming
Impressions on ESoDoc
Caroline Mutz
Impressions on ESoDoc
The biggest problem
Caroline Mutz
The biggest problem
Developments of documentary for the future
Hanka Kastelicova
Developments of documentary for the future
Introduction and job description
Hanka Kastelicova
Introduction and job description
Our production's characteristics
Hanka Kastelicova
Our production's characteristics
Team collaboration for productions: my motivation
Hanka Kastelicova
Team collaboration for productions: my motivation
The documentary projects we are looking for
Hanka Kastelicova
The documentary projects we are looking for
Differences on producing fiction and documentary films
Heino Deckert
Differences on producing fiction and documentary films
The artistic way (for me) to make documentaries
Leena Pasanen
The artistic way (for me) to make documentaries
ESoDoc experience
Sebastian Baurmann
ESoDoc experience
Golden rules developing projects
Sebastian Baurmann
Golden rules developing projects
How I became an art director in digital media
Sebastian Baurmann
How I became an art director in digital media
Prototyping is the core in developing projects
Sebastian Baurmann
Prototyping is the core in developing projects
The film team members of a film project
Sebastian Baurmann
The film team members of a film project
The graphical development process
Sebastian Baurmann
The graphical development process
The software development process
Sebastian Baurmann
The software development process
Time needed to develop projects
Sebastian Baurmann
Time needed to develop projects
Touch devices may be the future
Sebastian Baurmann
Touch devices may be the future
What is digital media; work as art director
Sebastian Baurmann
What is digital media; work as art director
Collaborations
Francesca Panetta
Collaborations
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Mark Atkin
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Developing multimedia projects is a huge team work activity
Francesca Panetta
Developing multimedia projects is a huge team work activity
How we develop an interactive project
Francesca Panetta
How we develop an interactive project
My work as special project editor
Francesca Panetta
My work as special project editor
My working team
Francesca Panetta
My working team
Presentation and job description
Mark Atkin
Presentation and job description
Project life
Francesca Panetta
Project life
Recommendations: strong stories, do not overcomplicate, work in team, testing
Francesca Panetta
Recommendations: strong stories, do not overcomplicate, work in team, testing
Skills to become a special project editor
Francesca Panetta
Skills to become a special project editor
The role of interactivity
Francesca Panetta
The role of interactivity
To describe Cross-media user experience we need maps
Mark Atkin
To describe Cross-media user experience we need maps
Be ready to collaborate with a writer
Fernanda Rossi
Be ready to collaborate with a writer
Changes in productions
Fernanda Rossi
Changes in productions
Ethical implications
Fernanda Rossi
Ethical implications
For me there is only one rule: listen
Fernanda Rossi
For me there is only one rule: listen
How i became a story analyst
Fernanda Rossi
How i became a story analyst
Introduction and job description
Fernanda Rossi
Introduction and job description
The pitfalls in projects
Fernanda Rossi
The pitfalls in projects
The way we can improve our projects with story analysis
Fernanda Rossi
The way we can improve our projects with story analysis
Reasons why campaign can fail
Ben Kempass
Reasons why campaign can fail
Reasons why I make this job
Ben Kempass
Reasons why I make this job
Skills to become a campaign creator
Ben Kempass
Skills to become a campaign creator
Teaching at ESoDoc
Ben Kempass
Teaching at ESoDoc
Tendency for the successful projects
Florian Thalhofer
Tendency for the successful projects
The golden rules to create a Korsakow project
Florian Thalhofer
The golden rules to create a Korsakow project
The Korsakow software
Florian Thalhofer
The Korsakow software
Typical mistakes using the Korsakow software
Florian Thalhofer
Typical mistakes using the Korsakow software
Ethical implications start from the correct use of data
Matteo Moretti
Ethical implications start from the correct use of data
Meanings of visual communication (for me)
Kris Krois
Meanings of visual communication (for me)
My teaching is web and motion design based on project
Matteo Moretti
My teaching is web and motion design based on project
We need an interdisciplinary team for visual journalism projects
Matteo Moretti
We need an interdisciplinary team for visual journalism projects
Developments of the market for transmedia projects
Lena Thiele
Developments of the market for transmedia projects
Differences between linear and transmedia projects
Lena Thiele
Differences between linear and transmedia projects
Ethical approach to projects: we need to believe in them
Sarah Mosses
Ethical approach to projects: we need to believe in them
Ethical implications
Sarah Mosses
Ethical implications
Frustrating moments: funding and expectations
Lena Thiele
Frustrating moments: funding and expectations
Golden rules for the impact producer
Sarah Mosses
Golden rules for the impact producer
Interdisciplinarity: skills for transmedia projects
Lena Thiele
Interdisciplinarity: skills for transmedia projects
My job
Sarah Mosses
My job
The ideal team for a documentary with social impact
Sarah Mosses
The ideal team for a documentary with social impact
The process of developing a transmedia project
Lena Thiele
The process of developing a transmedia project
The role of impact producer (… for dummies :)
Sarah Mosses
The role of impact producer (… for dummies :)
The role of impact producer in project development
Sarah Mosses
The role of impact producer in project development
Things to avoid for a successful campaign
Sarah Mosses
Things to avoid for a successful campaign
Three mistakes developing transmedia projects
Lena Thiele
Three mistakes developing transmedia projects
User experience and contents leads us to develop interface as a tool
Lena Thiele
User experience and contents leads us to develop interface as a tool
What is a transmedia project
Lena Thiele
What is a transmedia project
What we do in our profession
Lena Thiele
What we do in our profession
Work on important topics in an interdisciplinary team: that are our satisfaction
Lena Thiele
Work on important topics in an interdisciplinary team: that are our satisfaction
Chances offered by the mew media
Raimo Lång
Chances offered by the mew media
Differences between linear and transmedia projects
Raimo Lång
Differences between linear and transmedia projects
Ethical implications on approaching characters or difficulties
Raimo Lång
Ethical implications on approaching characters or difficulties
Keywords: cross thinking; dirty hands
Raimo Lång
Keywords: cross thinking; dirty hands
Positive and negative mess
Raimo Lång
Positive and negative mess
Role of digital gears in developing transmedia projects
Raimo Lång
Role of digital gears in developing transmedia projects
Storytelling in transmedia
Raimo Lång
Storytelling in transmedia
Subject and theme: the visible and the invisible sides of projects
Raimo Lång
Subject and theme: the visible and the invisible sides of projects
The “bread hole” as a metaphor
Raimo Lång
The “bread hole” as a metaphor
The biggest satisfaction: find the core of a project
Raimo Lång
The biggest satisfaction: find the core of a project
The user in transmedia projects
Raimo Lång
The user in transmedia projects
What is a transmedia project
Raimo Lång
What is a transmedia project
A good pitch might not mean “a good film”
Stefano Tealdi
A good pitch might not mean “a good film”
Crossmedia: is it really a must?
Charlie Phillips
Crossmedia: is it really a must?
Funding in the UK
Charlie Phillips
Funding in the UK
New funding schemes
Nicole Van Schaik
New funding schemes
The birth of an interactive story
Jamie Balliu
The birth of an interactive story
The importance (and the dangers) of feedbacks
Sibylle Kurz
The importance (and the dangers) of feedbacks
“Drone”
Tonje Hessen-Schei
“Drone”
ESoDoc and Drone
Tonje Hessen-Schei
ESoDoc and Drone
Funding “Drone”
Tonje Hessen-Schei
Funding “Drone”
An “issue” is not enough
Rehad Desai
An “issue” is not enough
Interactive vs. Crossmedia: yes, there are differences!
Sandra Gaudenzi
Interactive vs. Crossmedia: yes, there are differences!
My “key elements” for a documentary
Hugh Purcell
My “key elements” for a documentary
My experience at ESoDoc
Chris Leslie
My experience at ESoDoc
Pitching
Hugh Purcell
Pitching
Practice your pitching skills
Flora Gregory
Practice your pitching skills
Preparing for interviews
Mick Csáky
Preparing for interviews
Producing a documentary film
Stefano Tealdi
Producing a documentary film
The importance of research and preparation
Mick Csáky
The importance of research and preparation
Three Golden Rules for filmmakers
Flora Gregory
Three Golden Rules for filmmakers
Words vs. Visuals when presenting your film
Flora Gregory
Words vs. Visuals when presenting your film
A receipt for project development
Yacine Helali
A receipt for project development
Be prepared!
Julie Noon
Be prepared!
Being a woman filming in difficult situation
Julie Noon
Being a woman filming in difficult situation
Take the risk!
Iikka Vehkalahti
Take the risk!
Think global, think universal
Iikka Vehkalahti
Think global, think universal
What is “Crossover”
Mark Atkin
What is “Crossover”
Arte Future
Sabine Bubeck-Paaz
Arte Future
Arte on the web
Sabine Bubeck-Paaz
Arte on the web
Investing on crossmedia projects
Sabine Bubeck-Paaz
Investing on crossmedia projects
Let's create the reality which is most insightful
Joshua Oppenheimer
Let's create the reality which is most insightful
The importance of working in team
Moniek Wester Keegstra
The importance of working in team
Social change and the market: the partnership between ESoDoc and Documentary in Europe
Stefano Tealdi
Social change and the market: the partnership between ESoDoc and Documentary in Europe
The “ESoDoc family”
Sabine Bubeck-Paaz
The “ESoDoc family”
The sense of documentary making at ESoDoc
Caroline Mutz
The sense of documentary making at ESoDoc
Introducing: Mark Atkin
Mark Atkin
Introducing: Mark Atkin
Learn to be clear
Max Disbeaux
Learn to be clear
The atmosphere at ESoDoc
Fernanda Rossi
The atmosphere at ESoDoc
The tools I got at ESoDoc
Max Disbeaux
The tools I got at ESoDoc
What I got out of ESoDoc
Chris Leslie
What I got out of ESoDoc
Connecting filmmakers and NGOs
Robert West
Connecting filmmakers and NGOs
Connecting with the audiovisual industry at ESoDoc
Fany de la Chica
Connecting with the audiovisual industry at ESoDoc
ESoDoc in a nutshell
Joost Bevernage
ESoDoc in a nutshell
Focusing on developing your project at ESoDoc
Fany de la Chica
Focusing on developing your project at ESoDoc
The benefits of networks
Anna Azzolini
The benefits of networks
"Riot": an immersive project using facial recognition technology and 360° sound
"Riot": an immersive project using facial recognition technology and 360° sound
“The Act of Killing”: the commissioning process
Sabine Bubeck-Paaz
“The Act of Killing”: the commissioning process
“The Brussels Business”: the commissiong process
Sabine Bubeck-Paaz
“The Brussels Business”: the commissiong process
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