Browse by Topic: Storytelling

Designing a system including the player
Simon Løvind
Designing a system including the player
Finding stories in data sets
Marek Tuszynski
Finding stories in data sets
How to interest audience in your topic
Marek Tuszynski
How to interest audience in your topic
How to transform documentary into a game
Simon Løvind
How to transform documentary into a game
Narratives without protagonists to explain complex topics
Marek Tuszynski
Narratives without protagonists to explain complex topics
What can a gamer teach documentarists
Simon Løvind
What can a gamer teach documentarists
ESoDoc is on the forefront of documentary storytelling
Sabine Bubeck-Paaz
ESoDoc is on the forefront of documentary storytelling
Freedom of narration in the documentary genre
Raimo Lång
Freedom of narration in the documentary genre
Raimos vision for ESoDoc, storytelling, teamwork, truth
Raimo Lång
Raimos vision for ESoDoc, storytelling, teamwork, truth
The future of documentary is emotional truth and complexity
Raimo Lång
The future of documentary is emotional truth and complexity
About writing about personal experiences
Penda Diouf
About writing about personal experiences
Children access the 360 Life Stories from around the world to enhance their learning experience
Paulina Tervo
Children access the 360 Life Stories from around the world to enhance their learning experience
Content strategy for immersive storytelling for school children
Paulina Tervo
Content strategy for immersive storytelling for school children
Democracy in storytelling working with local filmmakers
Paulina Tervo
Democracy in storytelling working with local filmmakers
Finding new ideas for telling a story is a pleasure
Raimo Lång
Finding new ideas for telling a story is a pleasure
From personal history to global events
Penda Diouf
From personal history to global events
How interactive storytelling became the immersive learning platform Lyfta
Paulina Tervo
How interactive storytelling became the immersive learning platform Lyfta
How to submit an idea to Lyfta
Paulina Tervo
How to submit an idea to Lyfta
How to write about a mass grave that does not exist
Penda Diouf
How to write about a mass grave that does not exist
Hutner Advice on the right time for your movie
Becky Hutner
Hutner Advice on the right time for your movie
Innovations in storytelling connecting with learning material to enhance school curricula
Paulina Tervo
Innovations in storytelling connecting with learning material to enhance school curricula
Personal belief led to the film Fashion reimagined
Becky Hutner
Personal belief led to the film Fashion reimagined
Presentation of film Fashion Reimagined
Becky Hutner
Presentation of film Fashion Reimagined
Speaking about ourselves and powerful fiction
Penda Diouf
Speaking about ourselves and powerful fiction
Telling stories about a complex world
Raimo Lång
Telling stories about a complex world
The essence of what you learn at ESoDoc
Raimo Lång
The essence of what you learn at ESoDoc
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Paulina Tervo
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Working with producer and relationship Germany Namibia
Penda Diouf
Working with producer and relationship Germany Namibia
About TRACKS an audiodrama based on her play
Penda Diouf
About TRACKS an audiodrama based on her play
“The Bridges fo Time”: why do we do what we do
Audrius Stonys
“The Bridges fo Time”: why do we do what we do
Curiosity is the keyword in documentary filmmaking
Audrius Stonys
Curiosity is the keyword in documentary filmmaking
Growing in the Golden Age of Lithuanian cinema
Audrius Stonys
Growing in the Golden Age of Lithuanian cinema
Story vs Topic
Adam Gee
Story vs Topic
What can be a “human rights” film and how we deal with impact campaigning
Ondřej Moravec
What can be a “human rights” film and how we deal with impact campaigning
Cinematic language needs to change constantly
Audrius Stonys
Cinematic language needs to change constantly
"The Cleaners": a once-in-a-lifetime project
Georg Tschurtschenthaler
"The Cleaners": a once-in-a-lifetime project
Story Lab: our mission and vision
Shreepali Patel
Story Lab: our mission and vision
The multi-modal model
Shreepali Patel
The multi-modal model
The methodology of the process in Participatory Video projects
Lisa Glahn
The methodology of the process in Participatory Video projects
The cooperation process: interactive projects needs new types of team
Maya Eriksson
The cooperation process: interactive projects needs new types of team
The market of interactive media
Maya Eriksson
The market of interactive media
The process of verification in adaptive workflow: testing and adapting
Maya Eriksson
The process of verification in adaptive workflow: testing and adapting
How I decide the shooting and film style
Joshua Oppenheimer
How I decide the shooting and film style
How I decide to make a film about Indonesia
Joshua Oppenheimer
How I decide to make a film about Indonesia
Ideas and questions was emerging during the editing process of the films
Joshua Oppenheimer
Ideas and questions was emerging during the editing process of the films
Type of documentaries we are looking for
Margje de Koning
Type of documentaries we are looking for
What is leak in the documentary productions
Margje de Koning
What is leak in the documentary productions
The future of the documentary market: we need a new kind of storytelling
Freddy Neumann
The future of the documentary market: we need a new kind of storytelling
Practical working method in editing: choose rushes
Joelle Alexis
Practical working method in editing: choose rushes
The essential skill for cross-media and VR productions? Team working
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
The importance to see the rushes before the end of the shooting period
Joelle Alexis
The importance to see the rushes before the end of the shooting period
The key role of the editor in filmmaking; the “Rough Cut” group
Joelle Alexis
The key role of the editor in filmmaking; the “Rough Cut” group
There isn't only one method to choose the right edit
Joelle Alexis
There isn't only one method to choose the right edit
New ways to combine traditional and immersive media
Mark Atkin
New ways to combine traditional and immersive media
Riot: an immersive project using facial recognition technology and 360° sound
Mark Atkin
Riot: an immersive project using facial recognition technology and 360° sound
Formats and platforms in media communication - the role of innovative tools like VR
Nora Guicheney
Formats and platforms in media communication - the role of innovative tools like VR
How NAMAC supports projects
Wendy Levy
How NAMAC supports projects
If you want to change the world, you must change the stories first
Wendy Levy
If you want to change the world, you must change the stories first
Experimenting with digital media and the importance of public funding
Bruno Smadja
Experimenting with digital media and the importance of public funding
Reaching a realistic feeling: rotoscoping technique and the sound
Jan-Dirk Bouw
Reaching a realistic feeling: rotoscoping technique and the sound
Co-creation in making documentaries
Katerina Cizek
Co-creation in making documentaries
Broadcast VS digital distribution: storytelling and characters are the keys
Mark Atkin
Broadcast VS digital distribution: storytelling and characters are the keys
Multiplatform distribution
Mark Atkin
Multiplatform distribution
Storytelling and technology
Mark Atkin
Storytelling and technology
The driving force for impact is good storytelling
Sabine Bubeck-Paaz
The driving force for impact is good storytelling
There’s still a place for classical documentary in the digital era
Sabine Bubeck-Paaz
There’s still a place for classical documentary in the digital era
Funding within public institutions vs independent journalists
Matteo Moretti
Funding within public institutions vs independent journalists
Project development in the digital production environment
Jamie Balliu
Project development in the digital production environment
Visual journalism: the development process
Matteo Moretti
Visual journalism: the development process
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Digital storytelling
Lena Thiele
Digital storytelling
Find the right technology for your story
Sebastian Baurmann
Find the right technology for your story
How to start a transmedia project
Lena Thiele
How to start a transmedia project
The communication planning is the most important thing
Sarah Mosses
The communication planning is the most important thing
The planning phase; the team; the importance of the user experience
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
There are principles in storytelling, but no fixed formulas: dynamic storylines
Fernanda Rossi
There are principles in storytelling, but no fixed formulas: dynamic storylines
Two stories model: plot-driven vs narrative. The story structure continuum
Fernanda Rossi
Two stories model: plot-driven vs narrative. The story structure continuum
Two ways to see storytelling
Fernanda Rossi
Two ways to see storytelling
We need to balance passion and intellect
Fernanda Rossi
We need to balance passion and intellect
Artistic changes in documentary
Caroline Mutz
Artistic changes in documentary
Cross-media projects currently supported by ZDF
Lucia Haslauer
Cross-media projects currently supported by ZDF
New chances with cross-media projects
Lucia Haslauer
New chances with cross-media projects
Use of new technologies may give more chances to documentary
Lucia Haslauer
Use of new technologies may give more chances to documentary
Developments of documentary for the future
Hanka Kastelicova
Developments of documentary for the future
Are there financing possibilities for transmedia projects?
Leena Pasanen
Are there financing possibilities for transmedia projects?
Changes in financing for documentary
Leena Pasanen
Changes in financing for documentary
The artistic way (for me) to make documentaries
Leena Pasanen
The artistic way (for me) to make documentaries
The future for Dok Leipzig Festival
Leena Pasanen
The future for Dok Leipzig Festival
What are the changes in the documentary scene
Leena Pasanen
What are the changes in the documentary scene
An example of virtual reality documentary
Mark Atkin
An example of virtual reality documentary
As a journalist I always make ethical decisions
Francesca Panetta
As a journalist I always make ethical decisions
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
How we develop an interactive project
Francesca Panetta
How we develop an interactive project
Increasing importance of common social platforms
Mark Atkin
Increasing importance of common social platforms
Making sound an important part of contents description
Francesca Panetta
Making sound an important part of contents description
My job history and description
Francesca Panetta
My job history and description
My work as special project editor
Francesca Panetta
My work as special project editor
My working team
Francesca Panetta
My working team
The interest of documentarists for cross-media
Mark Atkin
The interest of documentarists for cross-media
The role of interactivity
Francesca Panetta
The role of interactivity
To describe Cross-media user experience we need maps
Mark Atkin
To describe Cross-media user experience we need maps
Be ready to collaborate with a writer
Fernanda Rossi
Be ready to collaborate with a writer
Changes in productions
Fernanda Rossi
Changes in productions
Ethical implications
Fernanda Rossi
Ethical implications
Documentaries can change society
Ben Kempass
Documentaries can change society
Making documentaries, the power is in the story
Ben Kempass
Making documentaries, the power is in the story
Reasons why I make this job
Ben Kempass
Reasons why I make this job
Successful projects has to show more nuances of reality
Ben Kempass
Successful projects has to show more nuances of reality
Interactivity in Korsakow software
Florian Thalhofer
Interactivity in Korsakow software
My motivation to start new projects is to discover the hidden side of things
Florian Thalhofer
My motivation to start new projects is to discover the hidden side of things
Storytelling is my interest
Florian Thalhofer
Storytelling is my interest
Tendency for the successful projects
Florian Thalhofer
Tendency for the successful projects
The Korsakow software
Florian Thalhofer
The Korsakow software
Chances for video journalism in the market
Kris Krois
Chances for video journalism in the market
Cross-points between documentary and visual communication
Kris Krois
Cross-points between documentary and visual communication
Ethical behaviour simply means be honest
Kris Krois
Ethical behaviour simply means be honest
Ethical implications start from the correct use of data
Matteo Moretti
Ethical implications start from the correct use of data
Interactivity in web based projects
Matteo Moretti
Interactivity in web based projects
Media for social change
Kris Krois
Media for social change
My teaching is web and motion design based on project
Matteo Moretti
My teaching is web and motion design based on project
Reflections on media and how visual communication can change society
Kris Krois
Reflections on media and how visual communication can change society
Three golden rules
Matteo Moretti
Three golden rules
Three mistakes to avoid
Matteo Moretti
Three mistakes to avoid
We need an interdisciplinary team for visual journalism projects
Matteo Moretti
We need an interdisciplinary team for visual journalism projects
Differences between linear and transmedia projects
Lena Thiele
Differences between linear and transmedia projects
Ethical approach to projects: we need to believe in them
Sarah Mosses
Ethical approach to projects: we need to believe in them
Frustrating moments: funding and expectations
Lena Thiele
Frustrating moments: funding and expectations
The process of developing a transmedia project
Lena Thiele
The process of developing a transmedia project
Three golden rules to develop transmedia projects
Lena Thiele
Three golden rules to develop transmedia projects
What is a transmedia project
Lena Thiele
What is a transmedia project
Chances offered by the mew media
Raimo Lång
Chances offered by the mew media
Storytelling in transmedia
Raimo Lång
Storytelling in transmedia
The biggest satisfaction: find the core of a project
Raimo Lång
The biggest satisfaction: find the core of a project
My journey as crossmedia storyteller
Michael Grotenhoff
My journey as crossmedia storyteller
Netwars: a multiplatform project
Michael Grotenhoff
Netwars: a multiplatform project
What is a crossmedia project?
Jamie Balliu
What is a crossmedia project?
Pitching: there are no golden rules, but be ready to adapt yourself
Fernanda Rossi
Pitching: there are no golden rules, but be ready to adapt yourself
Remember the last time you falled in love with your project
Fernanda Rossi
Remember the last time you falled in love with your project
An “issue” is not enough
Rehad Desai
An “issue” is not enough
The bricks to construct a film
Rehad Desai
The bricks to construct a film
Creating new models for interactive storytelling
Jamie Balliu
Creating new models for interactive storytelling
Interactivity vs. Story
Martin Atkin
Interactivity vs. Story
Mixing traditional films and new media elements
Jamie Balliu
Mixing traditional films and new media elements
My “key elements” for a documentary
Hugh Purcell
My “key elements” for a documentary
Producing a documentary film
Stefano Tealdi
Producing a documentary film
The changes from the mid 90s: the changing role of the documentary filmmaker
Jamie Balliu
The changes from the mid 90s: the changing role of the documentary filmmaker
The market needs and international co-productions
Fabio Mancini
The market needs and international co-productions
Trends in the global market
Flora Gregory
Trends in the global market
What is filmmaking for me
Audrius Stonys
What is filmmaking for me
A receipt for project development
Yacine Helali
A receipt for project development
Be prepared!
Julie Noon
Be prepared!
Being a woman filming in difficult situation
Julie Noon
Being a woman filming in difficult situation
New storytelling vs. tradional storytelling
Julie Noon
New storytelling vs. tradional storytelling
Take the risk!
Iikka Vehkalahti
Take the risk!
Think global, think universal
Iikka Vehkalahti
Think global, think universal
Let's create the reality which is most insightful
Joshua Oppenheimer
Let's create the reality which is most insightful
Content. Content. Content.
Mick Csáky
Content. Content. Content.
Creativity comes from development
Sabine Bubeck-Paaz
Creativity comes from development
Designing the journey of the user
Jamie Balliu
Designing the journey of the user
User experience: storytelling and interactivity
Jamie Balliu
User experience: storytelling and interactivity
Why multiplatform?
Mark Atkin
Why multiplatform?
Adapting storytelling for different platforms
Liz Rosenthal
Adapting storytelling for different platforms
Engaging your audience on various platform
Liz Rosenthal
Engaging your audience on various platform
ESoDoc in a nutshell
Joost Bevernage
ESoDoc in a nutshell
Mobile phones as a new platform for storytelling
Mark Kaigwa
Mobile phones as a new platform for storytelling
Social stories and crossmedia: the essential approach
Liz Rosenthal
Social stories and crossmedia: the essential approach
The impact of your film: a fine balance between winning and losing
Hanna Polak
The impact of your film: a fine balance between winning and losing
The story is still the most important part of your project
Hanna Polak
The story is still the most important part of your project
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