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Social Change
Erik Winker
Motivation for producing
Erik Winker
The ethics of documentary filmmaking
Erik Winker
Three things you need as a producer
Penda Diouf
About writing about personal experiences
Paulina Tervo
Democracy in storytelling working with local filmmakers
Penda Diouf
From personal history to global events
Penda Diouf
How to write about a mass grave that does not exist
Becky Hutner
Hutner Advice on the right time for your movie
Paulina Tervo
Lyfta: a learning platform to experience the world through life stoies for school children
Becky Hutner
Personal belief led to the film Fashion reimagined
Becky Hutner
Presentation of film Fashion Reimagined
Penda Diouf
Speaking about ourselves and powerful fiction
Penda Diouf
About TRACKS an audiodrama based on her play
Danielle Turkov
Everything you do with film is politics
Danielle Turkov
Impact production today
Audrius Stonys
Openness: from local to global
Danielle Turkov
To achieve impact you need collaboration
Ondřej Moravec
What can be a “human rights” film and how we deal with impact campaigning
Danielle Turkov
What makes a good impact film?
Adam Gee
Multiplatform formats are suitable for campaigning
Georg Tschurtschenthaler
"The Cleaners": a once-in-a-lifetime project
Esther Van Messel
How we find projects
Lisa Glahn
One example of how PV processes can help to solve social conflicts
Lisa Glahn
The differences between Participatory Video and an amateur film
Lisa Glahn
The methodology of the process in Participatory Video projects
Joshua Oppenheimer
The impact of The look of silence and The act of killing on the audience
Simone Baumann
Documentaries are my favourite: real story of real people
Katrine Kiilgaard
Documentaries are still a powerful medium to talk to and connect people
Margje de Koning
Program streams in Dutch Public Broadcasting
Katrine Kiilgaard
What CPH-Dox Festival does
Freddy Neumann
Being a publisher is working as a strategic consultant
Alexander Knetig
Public services and new media: big changes in society and democracy
Mark Atkin
NGOs are using VR for funding: the impact on society
Kris Krois
Eco-social design: definition and examples
Nora Guicheney
Médecins Sans Frontières’ media strategy
Matthieu Lietaert
Collaborative networks are the future!
Matthieu Lietaert
Going hyperlocal to make concrete projects to change society
Matthieu Lietaert
Internet is a tool to increase cooperation
Matthieu Lietaert
Think global, act local
Wendy Levy
How NAMAC supports projects
Wendy Levy
If you want to change the world, you must change the stories first
Wendy Levy
My job and the mission of NAMAC
Jan-Dirk Bouw
The impact of animation on young audience
Jan-Dirk Bouw
Why I make animated documentary
Katerina Cizek
Managing complexity in the team network
Sabine Bubeck-Paaz
The future is collaborative!
Matteo Moretti
Audiences on the web: two examples
Matteo Moretti
Using the data in journalism: quantitative and qualitative data
Kim Daniel Arthur
Gaming, documentary and social change: the impact in society
Lena Thiele
Is it worth “going transmedia”? It depends from your goals
Sarah Mosses
The importance of strategic partnerships
Caroline Mutz
Impressions on ESoDoc
Mark Atkin
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Francesca Panetta
Social role and implications of interactive projects
Ben Kempass
Documentaries can change society
Ben Kempass
How can we measure the impact of a campaign?
Ben Kempass
How I became a campaign organizer
Ben Kempass
Relation with fillmakers
Matteo Moretti
A visual journalism project: People's Republic on Bolzano
Matteo Moretti
Connections between design and documentary
Kris Krois
Media for social change
Matteo Moretti
My professional background allows me to became a generative designer
Kris Krois
Reflections on media and how visual communication can change society
Kris Krois
Teaching glocal design / eco-social design
Kris Krois
The different backgrounds that make me a visual communication teacher / designer
Sarah Mosses
Moving emotions in audience is the biggest satisfaction
Sarah Mosses
Out of region impact of the market
Sarah Mosses
Skills for impact producers
Sarah Mosses
Strategies on distribution and marketing
Sarah Mosses
The ideal team for a documentary with social impact
Sarah Mosses
The role of impact producer
Sarah Mosses
We are looking for strong films for emotional projects
Lena Thiele
Work on important topics in an interdisciplinary team: that are our satisfaction
Raimo Lång
The “bread hole” as a metaphor
Nicole Van Schaik
Films do generate impact!
Emily Verellen
The Fledgling Fund: what are we looking for
Diego Quemada-Diez
“La Jaula de oro”
Audrius Stonys
What is filmmaking for me
Julie Noon
Be prepared!
Iikka Vehkalahti
Take the risk!
Iikka Vehkalahti
Think global, think universal
Joshua Oppenheimer
Let's create the reality which is most insightful
Rose McCausland
What is Participatory Video?
Jörg Grossmann
Connecting NGOs and broadcasters
Kelly Matheson
Ethic in filmmaking
Kelly Matheson
Making films that create change
Robert West
Working on a distribution strategy
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