Browse by editions

2023

Create engagement
Marek Tuszynski
Create engagement
Designing a system including the player
Simon Løvind
Designing a system including the player
Designing systems makes you see systems
Simon Løvind
Designing systems makes you see systems
Fascination with the world of game design
Simon Løvind
Fascination with the world of game design
Finding stories in data sets
Marek Tuszynski
Finding stories in data sets
How to interest audience in your topic
Marek Tuszynski
How to interest audience in your topic
How to transform documentary into a game
Simon Løvind
How to transform documentary into a game
Narratives without protagonists to explain complex topics
Marek Tuszynski
Narratives without protagonists to explain complex topics
Presentation Marek Tuszynski and Tactical Tech
Marek Tuszynski
Presentation Marek Tuszynski and Tactical Tech
Surviving as indie game designer
Simon Løvind
Surviving as indie game designer
Tachtical Tech mission and goals
Marek Tuszynski
Tachtical Tech mission and goals
What can a gamer teach documentarists
Simon Løvind
What can a gamer teach documentarists
What games teach about reality
Simon Løvind
What games teach about reality
What is Tachtical Tech
Marek Tuszynski
What is Tachtical Tech
Advice for young filmmakers
Sabine Bubeck-Paaz
Advice for young filmmakers
ESoDoc is on the forefront of documentary storytelling
Sabine Bubeck-Paaz
ESoDoc is on the forefront of documentary storytelling
Financing of Web Documentaries
Sabine Bubeck-Paaz
Financing of Web Documentaries
How to think about producing a project
Erik Winker
How to think about producing a project
Impact is thinking about documentaries early on
Sabine Bubeck-Paaz
Impact is thinking about documentaries early on
Motivation for producing
Erik Winker
Motivation for producing
Production company corso film
Erik Winker
Production company corso film
The ethics of documentary filmmaking
Erik Winker
The ethics of documentary filmmaking
The future of creative documentary
Erik Winker
The future of creative documentary
Three things you need as a producer
Erik Winker
Three things you need as a producer
Viewer behaviour on web by age
Sabine Bubeck-Paaz
Viewer behaviour on web by age
What Erik Winker does
Erik Winker
What Erik Winker does
What makes a good documentary
Sabine Bubeck-Paaz
What makes a good documentary
Whole Interview
Sabine Bubeck-Paaz
Whole Interview
Why documentaries are great
Sabine Bubeck-Paaz
Why documentaries are great
Work in different segments of documentary market
Erik Winker
Work in different segments of documentary market
About writing about personal experiences
Penda Diouf
About writing about personal experiences
Approaching Impact in a four pronged manner
Becky Hutner
Approaching Impact in a four pronged manner
From personal history to global events
Penda Diouf
From personal history to global events
How the project found funding and a professional team
Becky Hutner
How the project found funding and a professional team
How to write about a mass grave that does not exist
Penda Diouf
How to write about a mass grave that does not exist
Hutner Advice on the right time for your movie
Becky Hutner
Hutner Advice on the right time for your movie
Personal belief led to the film Fashion reimagined
Becky Hutner
Personal belief led to the film Fashion reimagined
Presentation of film Fashion Reimagined
Becky Hutner
Presentation of film Fashion Reimagined
Speaking about ourselves and powerful fiction
Penda Diouf
Speaking about ourselves and powerful fiction
Working with producer and relationship Germany Namibia
Penda Diouf
Working with producer and relationship Germany Namibia
About TRACKS an audiodrama based on her play
Penda Diouf
About TRACKS an audiodrama based on her play

2022

Freedom of narration in the documentary genre
Raimo Lång
Freedom of narration in the documentary genre
Raimos vision for ESoDoc, storytelling, teamwork, truth
Raimo Lång
Raimos vision for ESoDoc, storytelling, teamwork, truth
The future of documentary is emotional truth and complexity
Raimo Lång
The future of documentary is emotional truth and complexity
Children access the 360 Life Stories from around the world to enhance their learning experience
Paulina Tervo
Children access the 360 Life Stories from around the world to enhance their learning experience
Content strategy for immersive storytelling for school children
Paulina Tervo
Content strategy for immersive storytelling for school children
Democracy in storytelling working with local filmmakers
Paulina Tervo
Democracy in storytelling working with local filmmakers
ESoDoc is always about participants helping each other
Raimo Lång
ESoDoc is always about participants helping each other
ESoDoc provides a creative space to innovate storytelling
Raimo Lång
ESoDoc provides a creative space to innovate storytelling
ESoDoc teaches a universal toolbox of dramaturgy
Raimo Lång
ESoDoc teaches a universal toolbox of dramaturgy
Finding motivation makes your story stronger
Raimo Lång
Finding motivation makes your story stronger
Finding new ideas for telling a story is a pleasure
Raimo Lång
Finding new ideas for telling a story is a pleasure
How interactive storytelling became the immersive learning platform Lyfta
Paulina Tervo
How interactive storytelling became the immersive learning platform Lyfta
How to fit all parts of a project into your story
Raimo Lång
How to fit all parts of a project into your story
How to submit an idea to Lyfta
Paulina Tervo
How to submit an idea to Lyfta
Innovations in storytelling connecting with learning material to enhance school curricula
Paulina Tervo
Innovations in storytelling connecting with learning material to enhance school curricula
Jouth as an audience for documentaries, jouth documentaries
Paulina Tervo
Jouth as an audience for documentaries, jouth documentaries
Lyfta: a learning platform to experience the world through life stoies for school children
Paulina Tervo
Lyfta: a learning platform to experience the world through life stoies for school children
Raimo Lang is the new head of study of ESoDoc
Raimo Lång
Raimo Lang is the new head of study of ESoDoc
Telling stories about a complex world
Raimo Lång
Telling stories about a complex world
The educational market as opposed to the documentary market
Paulina Tervo
The educational market as opposed to the documentary market
The essence of what you learn at ESoDoc
Raimo Lång
The essence of what you learn at ESoDoc
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Paulina Tervo
Working with Lyfta as filmmakers, training in 360 and commissioned projects

2019

“The Bridges fo Time”: why do we do what we do
Audrius Stonys
“The Bridges fo Time”: why do we do what we do
Business Models today
Adam Gee
Business Models today
Curiosity is the keyword in documentary filmmaking
Audrius Stonys
Curiosity is the keyword in documentary filmmaking
Everything you do with film is politics
Danielle Turkov
Everything you do with film is politics
Focusing on on-line products: Little Dot Studios
Adam Gee
Focusing on on-line products: Little Dot Studios
Growing in the Golden Age of Lithuanian cinema
Audrius Stonys
Growing in the Golden Age of Lithuanian cinema
How format affects impact
Ondřej Moravec
How format affects impact
Impact production today
Danielle Turkov
Impact production today
My views on the future of documentary
Ondřej Moravec
My views on the future of documentary
New talents, new angles
Adam Gee
New talents, new angles
Openness: from local to global
Audrius Stonys
Openness: from local to global
Story vs Topic
Adam Gee
Story vs Topic
The documentary influence across the industry
Ondřej Moravec
The documentary influence across the industry
The uniqueness of different cinematic languages around the world
Audrius Stonys
The uniqueness of different cinematic languages around the world
To achieve impact you need collaboration
Danielle Turkov
To achieve impact you need collaboration
What can be a “human rights” film and how we deal with impact campaigning
Ondřej Moravec
What can be a “human rights” film and how we deal with impact campaigning
What makes a good impact film?
Danielle Turkov
What makes a good impact film?
Cinematic language needs to change constantly
Audrius Stonys
Cinematic language needs to change constantly
Multiplatform formats are suitable for campaigning
Adam Gee
Multiplatform formats are suitable for campaigning
"The Cleaners": a once-in-a-lifetime project
Georg Tschurtschenthaler
"The Cleaners": a once-in-a-lifetime project
Diverse partnerships might lead to diverse funding
Shreepali Patel
Diverse partnerships might lead to diverse funding
ESoDoc’s treasure: diversity
Shreepali Patel
ESoDoc’s treasure: diversity
My professional path
Georg Tschurtschenthaler
My professional path
Story Lab: our mission and vision
Shreepali Patel
Story Lab: our mission and vision
The collaboration with online platform in a changing industry
Georg Tschurtschenthaler
The collaboration with online platform in a changing industry
The distribution strategy of "The Cleaners"
Georg Tschurtschenthaler
The distribution strategy of "The Cleaners"
The future is a fight for talents and new forms of collaboration
Georg Tschurtschenthaler
The future is a fight for talents and new forms of collaboration
The multi-modal model
Shreepali Patel
The multi-modal model
Working in a changing market: broadcasters, cinema and digital market
Georg Tschurtschenthaler
Working in a changing market: broadcasters, cinema and digital market

2018

First Hand Film – describing my Job
Esther Van Messel
First Hand Film – describing my Job
How we find projects
Esther Van Messel
How we find projects
One example of how PV processes can help to solve social conflicts
Lisa Glahn
One example of how PV processes can help to solve social conflicts
Our working process
Esther Van Messel
Our working process
The differences between Participatory Video and an amateur film
Lisa Glahn
The differences between Participatory Video and an amateur film
The methodology of the process in Participatory Video projects
Lisa Glahn
The methodology of the process in Participatory Video projects
The use of PV tools to make cinematographic documentary
Lisa Glahn
The use of PV tools to make cinematographic documentary
What does it means for documentary the development of the new media
Esther Van Messel
What does it means for documentary the development of the new media
The cooperation process: interactive projects needs new types of team
Maya Eriksson
The cooperation process: interactive projects needs new types of team
The market of interactive media
Maya Eriksson
The market of interactive media
The mission of Interactive Media Foundation
Maya Eriksson
The mission of Interactive Media Foundation
The process of verification in adaptive workflow: testing and adapting
Maya Eriksson
The process of verification in adaptive workflow: testing and adapting
How I decide the shooting and film style
Joshua Oppenheimer
How I decide the shooting and film style
How I decide to make a film about Indonesia
Joshua Oppenheimer
How I decide to make a film about Indonesia
Ideas and questions was emerging during the editing process of the films
Joshua Oppenheimer
Ideas and questions was emerging during the editing process of the films
The impact of The look of silence and The act of killing on the audience
Joshua Oppenheimer
The impact of The look of silence and The act of killing on the audience

2017

Documentaries are my favourite: real story of real people
Simone Baumann
Documentaries are my favourite: real story of real people
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
The market model for Netflix / Amazon
Simone Baumann
The market model for Netflix / Amazon
Co-financing innovative forms of documentary
Katrine Kiilgaard
Co-financing innovative forms of documentary
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Margje de Koning
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Distribution on many platform can help to get impact and financing for the film
Margje de Koning
Distribution on many platform can help to get impact and financing for the film
Documentaries are still a powerful medium to talk to and connect people
Katrine Kiilgaard
Documentaries are still a powerful medium to talk to and connect people
How to manage innovation and financing
Katrine Kiilgaard
How to manage innovation and financing
Program streams in Dutch Public Broadcasting
Margje de Koning
Program streams in Dutch Public Broadcasting
Type of documentaries we are looking for
Margje de Koning
Type of documentaries we are looking for
What CPH-Dox Festival does
Katrine Kiilgaard
What CPH-Dox Festival does
What is leak in the documentary productions
Margje de Koning
What is leak in the documentary productions
Being a publisher is working as a strategic consultant
Freddy Neumann
Being a publisher is working as a strategic consultant
Creating an audience: start from the development stage!
Freddy Neumann
Creating an audience: start from the development stage!
The future of the documentary market: we need a new kind of storytelling
Freddy Neumann
The future of the documentary market: we need a new kind of storytelling
ARTE contents: from traditional programming to VR experiences
Alexander Knetig
ARTE contents: from traditional programming to VR experiences
Commissioning at “ARTE Creative”: digital content for younger people
Alexander Knetig
Commissioning at “ARTE Creative”: digital content for younger people
Describing editor’s profession
Joelle Alexis
Describing editor’s profession
Golden rules for a good teaser
Joelle Alexis
Golden rules for a good teaser
I put myself in work collaboration: I chose the topics related to my personal life
Joelle Alexis
I put myself in work collaboration: I chose the topics related to my personal life
My most important professional moments
Alexander Knetig
My most important professional moments
Practical working method in editing: choose rushes
Joelle Alexis
Practical working method in editing: choose rushes
Public services and new media: big changes in society and democracy
Alexander Knetig
Public services and new media: big changes in society and democracy
The dialectic with the director
Joelle Alexis
The dialectic with the director
The essential skill for cross-media and VR productions? Team working
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
The importance to see the rushes before the end of the shooting period
Joelle Alexis
The importance to see the rushes before the end of the shooting period
The key role of the editor in filmmaking; the “Rough Cut” group
Joelle Alexis
The key role of the editor in filmmaking; the “Rough Cut” group
The most beautiful moment in my career
Joelle Alexis
The most beautiful moment in my career
There isn't only one method to choose the right edit
Joelle Alexis
There isn't only one method to choose the right edit
New ways to combine traditional and immersive media
Mark Atkin
New ways to combine traditional and immersive media
NGOs are using VR for funding: the impact on society
Mark Atkin
NGOs are using VR for funding: the impact on society
Riot: an immersive project using facial recognition technology and 360° sound
Mark Atkin
Riot: an immersive project using facial recognition technology and 360° sound
The rapid expansion and applications of VR in the last years
Mark Atkin
The rapid expansion and applications of VR in the last years
Eco-social design: definition and examples
Kris Krois
Eco-social design: definition and examples
Interdisciplinarity is a “must” for modern projects
Kris Krois
Interdisciplinarity is a “must” for modern projects
Business tools for an impact distribution campaign
Sarah Mosses
Business tools for an impact distribution campaign
Challenging and successful situations in collaborative environments
Nora Guicheney
Challenging and successful situations in collaborative environments
Formats and platforms in media communication - the role of innovative tools like VR
Nora Guicheney
Formats and platforms in media communication - the role of innovative tools like VR
How can a filmmaker collaborate with Médecins Sans Frontières
Nora Guicheney
How can a filmmaker collaborate with Médecins Sans Frontières
Médecins Sans Frontières ethical rules
Nora Guicheney
Médecins Sans Frontières ethical rules
Médecins Sans Frontières’ media production
Nora Guicheney
Médecins Sans Frontières’ media production
Médecins Sans Frontières’ media strategy
Nora Guicheney
Médecins Sans Frontières’ media strategy
The benefits of financing an impact marketing campaign
Sarah Mosses
The benefits of financing an impact marketing campaign
Collaborative networks are the future!
Matthieu Lietaert
Collaborative networks are the future!
Going hyperlocal to make concrete projects to change society
Matthieu Lietaert
Going hyperlocal to make concrete projects to change society
Internet is a tool to increase cooperation
Matthieu Lietaert
Internet is a tool to increase cooperation
Think global, act local
Matthieu Lietaert
Think global, act local
"Riot": an immersive project using facial recognition technology and 360° sound
"Riot": an immersive project using facial recognition technology and 360° sound

2016

Creating universal stories for all audiences
Mike Lerner
Creating universal stories for all audiences
Creative expression: finding inspiration in the differences
Wendy Levy
Creative expression: finding inspiration in the differences
Does the rise of the digital market really impact my film?
Mike Lerner
Does the rise of the digital market really impact my film?
Every film is different, and every film needs a different financing strategy
Mike Lerner
Every film is different, and every film needs a different financing strategy
How NAMAC supports projects
Wendy Levy
How NAMAC supports projects
If you want to change the world, you must change the stories first
Wendy Levy
If you want to change the world, you must change the stories first
My job and the mission of NAMAC
Wendy Levy
My job and the mission of NAMAC
Experimenting with digital media and the importance of public funding
Bruno Smadja
Experimenting with digital media and the importance of public funding
Reaching a realistic feeling: rotoscoping technique and the sound
Jan-Dirk Bouw
Reaching a realistic feeling: rotoscoping technique and the sound
The evolution of Cross Video Days
Bruno Smadja
The evolution of Cross Video Days
The impact of animation on young audience
Jan-Dirk Bouw
The impact of animation on young audience
The role of TVs and the new digital world
Bruno Smadja
The role of TVs and the new digital world
The team in an animated documentary project
Jan-Dirk Bouw
The team in an animated documentary project
Why I make animated documentary
Jan-Dirk Bouw
Why I make animated documentary
Co-creation in making documentaries
Katerina Cizek
Co-creation in making documentaries
Let’s come together: building partnerships for the good of your project
Katerina Cizek
Let’s come together: building partnerships for the good of your project
Managing complexity in the team network
Katerina Cizek
Managing complexity in the team network
The MIT and the Open Documentary Lab
Katerina Cizek
The MIT and the Open Documentary Lab
Audience and access: VR public exhibitions, web distribution, funding
Mark Atkin
Audience and access: VR public exhibitions, web distribution, funding
Broadcast VS digital distribution: storytelling and characters are the keys
Mark Atkin
Broadcast VS digital distribution: storytelling and characters are the keys
Multiplatform distribution
Mark Atkin
Multiplatform distribution
Public funding is needed to develop new ways of storytelling
Mark Atkin
Public funding is needed to develop new ways of storytelling
Reaching your audience: experimenting and learning from errors
Sabine Bubeck-Paaz
Reaching your audience: experimenting and learning from errors
Storytelling and technology
Mark Atkin
Storytelling and technology
The driving force for impact is good storytelling
Sabine Bubeck-Paaz
The driving force for impact is good storytelling
The future is collaborative!
Sabine Bubeck-Paaz
The future is collaborative!
There’s still a place for classical documentary in the digital era
Sabine Bubeck-Paaz
There’s still a place for classical documentary in the digital era
Alternative funding: the “Valigia Blu” case study
Matteo Moretti
Alternative funding: the “Valigia Blu” case study
Audiences on the web: two examples
Matteo Moretti
Audiences on the web: two examples
Development and production strategies in interactive media
Jamie Balliu
Development and production strategies in interactive media
Finding the purpose of your project, and measuring its feedback
Jamie Balliu
Finding the purpose of your project, and measuring its feedback
Funding within public institutions vs independent journalists
Matteo Moretti
Funding within public institutions vs independent journalists
Funds and funding
Jamie Balliu
Funds and funding
Project development in the digital production environment
Jamie Balliu
Project development in the digital production environment
Understanding the user motivation and ability to raise user engagement
Jamie Balliu
Understanding the user motivation and ability to raise user engagement
Using the data in journalism: quantitative and qualitative data
Matteo Moretti
Using the data in journalism: quantitative and qualitative data
Visual journalism vs data journalism
Matteo Moretti
Visual journalism vs data journalism
Visual journalism: the development process
Matteo Moretti
Visual journalism: the development process
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Define the target audience
Sarah Mosses
Define the target audience
Designing impact strategies: start from the essence of your project
Sarah Mosses
Designing impact strategies: start from the essence of your project
Digital storytelling
Lena Thiele
Digital storytelling
Financing strategies
Lena Thiele
Financing strategies
Find the right technology for your story
Sebastian Baurmann
Find the right technology for your story
Gaming, documentary and social change: the impact in society
Kim Daniel Arthur
Gaming, documentary and social change: the impact in society
How to start a transmedia project
Lena Thiele
How to start a transmedia project
Impact distribution strategy: the business plan
Sarah Mosses
Impact distribution strategy: the business plan
Is it worth “going transmedia”? It depends from your goals
Lena Thiele
Is it worth “going transmedia”? It depends from your goals
Love & Passion
Kim Daniel Arthur
Love & Passion
Technology as a tool to tell good stories
Lena Thiele
Technology as a tool to tell good stories
Testing testing testing…
Sebastian Baurmann
Testing testing testing…
The '1-9-99' rule on audiences
Sarah Mosses
The '1-9-99' rule on audiences
The changing distribution models in the gaming industry
Kim Daniel Arthur
The changing distribution models in the gaming industry
The changing media landscape
Lena Thiele
The changing media landscape
The communication planning is the most important thing
Sarah Mosses
The communication planning is the most important thing
The importance of strategic partnerships
Sarah Mosses
The importance of strategic partnerships
The planning phase; the team; the importance of the user experience
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
There are principles in storytelling, but no fixed formulas: dynamic storylines
Fernanda Rossi
There are principles in storytelling, but no fixed formulas: dynamic storylines
Two stories model: plot-driven vs narrative. The story structure continuum
Fernanda Rossi
Two stories model: plot-driven vs narrative. The story structure continuum
Two ways to see storytelling
Fernanda Rossi
Two ways to see storytelling
Use only what is needed for the story: responsive design
Sebastian Baurmann
Use only what is needed for the story: responsive design
We need to balance passion and intellect
Fernanda Rossi
We need to balance passion and intellect
What is gaming
Kim Daniel Arthur
What is gaming

2015

(My) Biggest mistake
Caroline Mutz
(My) Biggest mistake
Artistic changes in documentary
Caroline Mutz
Artistic changes in documentary
Changes in documentary production
Caroline Mutz
Changes in documentary production
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Cross-media projects currently supported by ZDF
Lucia Haslauer
Cross-media projects currently supported by ZDF
Developments in new media and documentary
Lucia Haslauer
Developments in new media and documentary
Golden rules for producers
Caroline Mutz
Golden rules for producers
Golden rules for young documentarians
Lucia Haslauer
Golden rules for young documentarians
How to prepare for pitching? Breath and communicate!
Christine Loriol
How to prepare for pitching? Breath and communicate!
Impressions on ESoDoc
Caroline Mutz
Impressions on ESoDoc
Introduction and job description
Christine Loriol
Introduction and job description
Introduction and job description
Lucia Haslauer
Introduction and job description
My biggest satisfaction
Caroline Mutz
My biggest satisfaction
New chances with cross-media projects
Lucia Haslauer
New chances with cross-media projects
The biggest problem
Caroline Mutz
The biggest problem
Use of new technologies may give more chances to documentary
Lucia Haslauer
Use of new technologies may give more chances to documentary
What is pitching?
Christine Loriol
What is pitching?
Developments of documentary for the future
Hanka Kastelicova
Developments of documentary for the future
Introduction and job description
Hanka Kastelicova
Introduction and job description
My biggest satisfaction as commissioning editor
Hanka Kastelicova
My biggest satisfaction as commissioning editor
Our production's characteristics
Hanka Kastelicova
Our production's characteristics
Team collaboration for productions: my motivation
Hanka Kastelicova
Team collaboration for productions: my motivation
The documentary projects we are looking for
Hanka Kastelicova
The documentary projects we are looking for
Are there financing possibilities for transmedia projects?
Leena Pasanen
Are there financing possibilities for transmedia projects?
Changes in financing for documentary
Leena Pasanen
Changes in financing for documentary
Differences on producing fiction and documentary films
Heino Deckert
Differences on producing fiction and documentary films
Golden rule for a producer
Heino Deckert
Golden rule for a producer
How can a project get finances
Heino Deckert
How can a project get finances
Introduction and job description
Leena Pasanen
Introduction and job description
Introduction and job description
Heino Deckert
Introduction and job description
Projects with chances on the market
Heino Deckert
Projects with chances on the market
Satisfactions in my job
Heino Deckert
Satisfactions in my job
The artistic way (for me) to make documentaries
Leena Pasanen
The artistic way (for me) to make documentaries
The future for Dok Leipzig Festival
Leena Pasanen
The future for Dok Leipzig Festival
Typical mistakes for a producer
Heino Deckert
Typical mistakes for a producer
What are the changes in the documentary scene
Leena Pasanen
What are the changes in the documentary scene
ESoDoc experience
Sebastian Baurmann
ESoDoc experience
Financing projects
Sebastian Baurmann
Financing projects
Golden rules developing projects
Sebastian Baurmann
Golden rules developing projects
How I became an art director in digital media
Sebastian Baurmann
How I became an art director in digital media
Prototyping is the core in developing projects
Sebastian Baurmann
Prototyping is the core in developing projects
Skills to become an art director in digital media
Sebastian Baurmann
Skills to become an art director in digital media
The film team members of a film project
Sebastian Baurmann
The film team members of a film project
The graphical development process
Sebastian Baurmann
The graphical development process
The software development process
Sebastian Baurmann
The software development process
Time needed to develop projects
Sebastian Baurmann
Time needed to develop projects
Touch devices may be the future
Sebastian Baurmann
Touch devices may be the future
What is digital media; work as art director
Sebastian Baurmann
What is digital media; work as art director
An example of virtual reality documentary
Mark Atkin
An example of virtual reality documentary
As a journalist I always make ethical decisions
Francesca Panetta
As a journalist I always make ethical decisions
Collaborations
Francesca Panetta
Collaborations
Convergent media on the market
Mark Atkin
Convergent media on the market
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Mark Atkin
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Developing multimedia projects is a huge team work activity
Francesca Panetta
Developing multimedia projects is a huge team work activity
Differences between films and interactive media
Mark Atkin
Differences between films and interactive media
Ethical implications in interactive projects
Mark Atkin
Ethical implications in interactive projects
From paper to digital media
Francesca Panetta
From paper to digital media
Get funds for interactive projects
Mark Atkin
Get funds for interactive projects
Golden rule, biggest mistake
Mark Atkin
Golden rule, biggest mistake
How and why we finance our projects
Francesca Panetta
How and why we finance our projects
How we develop an interactive project
Francesca Panetta
How we develop an interactive project
Increasing importance of common social platforms
Mark Atkin
Increasing importance of common social platforms
Low costs of interactive projects
Mark Atkin
Low costs of interactive projects
Making sound an important part of contents description
Francesca Panetta
Making sound an important part of contents description
My job history and description
Francesca Panetta
My job history and description
My work as special project editor
Francesca Panetta
My work as special project editor
My working team
Francesca Panetta
My working team
Presentation and job description
Mark Atkin
Presentation and job description
Project life
Francesca Panetta
Project life
Pros and cons working in new media
Francesca Panetta
Pros and cons working in new media
Recommendations: strong stories, do not overcomplicate, work in team, testing
Francesca Panetta
Recommendations: strong stories, do not overcomplicate, work in team, testing
Skills to become a special project editor
Francesca Panetta
Skills to become a special project editor
Social role and implications of interactive projects
Francesca Panetta
Social role and implications of interactive projects
The audience of the Guardian
Francesca Panetta
The audience of the Guardian
The Guardian
Francesca Panetta
The Guardian
The interest of documentarists for cross-media
Mark Atkin
The interest of documentarists for cross-media
The role of interactivity
Francesca Panetta
The role of interactivity
To describe Cross-media user experience we need maps
Mark Atkin
To describe Cross-media user experience we need maps
Be ready to collaborate with a writer
Fernanda Rossi
Be ready to collaborate with a writer
Changes in productions
Fernanda Rossi
Changes in productions
Ethical implications
Fernanda Rossi
Ethical implications
For me there is only one rule: listen
Fernanda Rossi
For me there is only one rule: listen
How i became a story analyst
Fernanda Rossi
How i became a story analyst
Introduction and job description
Fernanda Rossi
Introduction and job description
The pitfalls in projects
Fernanda Rossi
The pitfalls in projects
The way we can improve our projects with story analysis
Fernanda Rossi
The way we can improve our projects with story analysis
Criteria to choose projects
Ben Kempass
Criteria to choose projects
Documentaries can change society
Ben Kempass
Documentaries can change society
Ethical implications
Ben Kempass
Ethical implications
How can we measure the impact of a campaign?
Ben Kempass
How can we measure the impact of a campaign?
How I became a campaign organizer
Ben Kempass
How I became a campaign organizer
Inroduction
Ben Kempass
Inroduction
Making documentaries, the power is in the story
Ben Kempass
Making documentaries, the power is in the story
Reasons why campaign can fail
Ben Kempass
Reasons why campaign can fail
Reasons why I make this job
Ben Kempass
Reasons why I make this job
Relation with fillmakers
Ben Kempass
Relation with fillmakers
Rules to be a good campaigner
Ben Kempass
Rules to be a good campaigner
Skills to become a campaign creator
Ben Kempass
Skills to become a campaign creator
Successful projects has to show more nuances of reality
Ben Kempass
Successful projects has to show more nuances of reality
Teaching at ESoDoc
Ben Kempass
Teaching at ESoDoc
The market
Ben Kempass
The market
Cross-media is just a word
Florian Thalhofer
Cross-media is just a word
Interactivity in Korsakow software
Florian Thalhofer
Interactivity in Korsakow software
My biggest problem
Florian Thalhofer
My biggest problem
My biggest satisfaction
Florian Thalhofer
My biggest satisfaction
My motivation to start new projects is to discover the hidden side of things
Florian Thalhofer
My motivation to start new projects is to discover the hidden side of things
Projects with challenges on the market
Florian Thalhofer
Projects with challenges on the market
Storytelling is my interest
Florian Thalhofer
Storytelling is my interest
Tendency for the successful projects
Florian Thalhofer
Tendency for the successful projects
The golden rules to create a Korsakow project
Florian Thalhofer
The golden rules to create a Korsakow project
The Korsakow software
Florian Thalhofer
The Korsakow software
The market, from my point of view
Florian Thalhofer
The market, from my point of view
Typical mistakes using the Korsakow software
Florian Thalhofer
Typical mistakes using the Korsakow software
A visual journalism project: People's Republic on Bolzano
Matteo Moretti
A visual journalism project: People's Republic on Bolzano
Chances for video journalism in the market
Kris Krois
Chances for video journalism in the market
Connections between design and documentary
Matteo Moretti
Connections between design and documentary
Cross-points between documentary and visual communication
Kris Krois
Cross-points between documentary and visual communication
Definition of cross-media
Kris Krois
Definition of cross-media
Ethical behaviour simply means be honest
Kris Krois
Ethical behaviour simply means be honest
Ethical implications start from the correct use of data
Matteo Moretti
Ethical implications start from the correct use of data
Interactivity in web based projects
Matteo Moretti
Interactivity in web based projects
Introduction and job history
Kris Krois
Introduction and job history
Meanings of visual communication (for me)
Kris Krois
Meanings of visual communication (for me)
Media for social change
Kris Krois
Media for social change
My professional background allows me to became a generative designer
Matteo Moretti
My professional background allows me to became a generative designer
My teaching is web and motion design based on project
Matteo Moretti
My teaching is web and motion design based on project
Reflections on media and how visual communication can change society
Kris Krois
Reflections on media and how visual communication can change society
Some rules and some mistakes
Kris Krois
Some rules and some mistakes
Teaching glocal design / eco-social design
Kris Krois
Teaching glocal design / eco-social design
The different backgrounds that make me a visual communication teacher / designer
Kris Krois
The different backgrounds that make me a visual communication teacher / designer
Three golden rules
Matteo Moretti
Three golden rules
Three mistakes to avoid
Matteo Moretti
Three mistakes to avoid
We need an interdisciplinary team for visual journalism projects
Matteo Moretti
We need an interdisciplinary team for visual journalism projects
What's for me a cross-media project
Matteo Moretti
What's for me a cross-media project
An example of an excellent campaign: Virunga
Sarah Mosses
An example of an excellent campaign: Virunga
Developments of the market for transmedia projects
Lena Thiele
Developments of the market for transmedia projects
Differences between linear and transmedia projects
Lena Thiele
Differences between linear and transmedia projects
Ethical approach to projects: we need to believe in them
Sarah Mosses
Ethical approach to projects: we need to believe in them
Ethical implications
Sarah Mosses
Ethical implications
Frustrating moments: funding and expectations
Lena Thiele
Frustrating moments: funding and expectations
Golden rules for the impact producer
Sarah Mosses
Golden rules for the impact producer
How I became an impact producer
Sarah Mosses
How I became an impact producer
Interdisciplinarity: skills for transmedia projects
Lena Thiele
Interdisciplinarity: skills for transmedia projects
Introducing ourself
Lena Thiele
Introducing ourself
Motivations push us to do transmedia projects
Lena Thiele
Motivations push us to do transmedia projects
Moving emotions in audience is the biggest satisfaction
Sarah Mosses
Moving emotions in audience is the biggest satisfaction
My job
Sarah Mosses
My job
My only worry is my full email inbox …
Sarah Mosses
My only worry is my full email inbox …
Our professional history
Lena Thiele
Our professional history
Out of region impact of the market
Sarah Mosses
Out of region impact of the market
Skills for impact producers
Sarah Mosses
Skills for impact producers
Strategies on distribution and marketing
Sarah Mosses
Strategies on distribution and marketing
The ideal team for a documentary with social impact
Sarah Mosses
The ideal team for a documentary with social impact
The need of marketing tools for web documentary
Lena Thiele
The need of marketing tools for web documentary
The process of developing a transmedia project
Lena Thiele
The process of developing a transmedia project
The role of impact producer
Sarah Mosses
The role of impact producer
The role of impact producer (… for dummies :)
Sarah Mosses
The role of impact producer (… for dummies :)
The role of impact producer in project development
Sarah Mosses
The role of impact producer in project development
Things to avoid for a successful campaign
Sarah Mosses
Things to avoid for a successful campaign
Three golden rules to develop transmedia projects
Lena Thiele
Three golden rules to develop transmedia projects
Three mistakes developing transmedia projects
Lena Thiele
Three mistakes developing transmedia projects
User experience and contents leads us to develop interface as a tool
Lena Thiele
User experience and contents leads us to develop interface as a tool
We are looking for strong films for emotional projects
Sarah Mosses
We are looking for strong films for emotional projects
What is a transmedia project
Lena Thiele
What is a transmedia project
What we do in our profession
Lena Thiele
What we do in our profession
Work on important topics in an interdisciplinary team: that are our satisfaction
Lena Thiele
Work on important topics in an interdisciplinary team: that are our satisfaction
Chances offered by the mew media
Raimo Lång
Chances offered by the mew media
Differences between linear and transmedia projects
Raimo Lång
Differences between linear and transmedia projects
Ethical implications on approaching characters or difficulties
Raimo Lång
Ethical implications on approaching characters or difficulties
Keywords: cross thinking; dirty hands
Raimo Lång
Keywords: cross thinking; dirty hands
Positive and negative mess
Raimo Lång
Positive and negative mess
Reasons why I started doing new media projects
Raimo Lång
Reasons why I started doing new media projects
Role of digital gears in developing transmedia projects
Raimo Lång
Role of digital gears in developing transmedia projects
Storytelling in transmedia
Raimo Lång
Storytelling in transmedia
Subject and theme: the visible and the invisible sides of projects
Raimo Lång
Subject and theme: the visible and the invisible sides of projects
The “bread hole” as a metaphor
Raimo Lång
The “bread hole” as a metaphor
The biggest satisfaction: find the core of a project
Raimo Lång
The biggest satisfaction: find the core of a project
The user in transmedia projects
Raimo Lång
The user in transmedia projects
Three golden rules to make interesting cross-media projects
Raimo Lång
Three golden rules to make interesting cross-media projects
What is a transmedia project
Raimo Lång
What is a transmedia project

2014

A good pitch might not mean “a good film”
Stefano Tealdi
A good pitch might not mean “a good film”
A tool to decode the world
Mick Csáky
A tool to decode the world
Co-producations are fun...and valuable!
Mick Csáky
Co-producations are fun...and valuable!
Crossmedia: is it really a must?
Charlie Phillips
Crossmedia: is it really a must?
Crowdfunding: creating an audience, creating a distribution strategy
Charlie Phillips
Crowdfunding: creating an audience, creating a distribution strategy
Different occasions to present your project = different pitchings
Sibylle Kurz
Different occasions to present your project = different pitchings
Films do generate impact!
Nicole Van Schaik
Films do generate impact!
Focus, specialize and talk to your team
Jamie Balliu
Focus, specialize and talk to your team
Funding in the UK
Charlie Phillips
Funding in the UK
How I deal with people
Sibylle Kurz
How I deal with people
Interactivity for social projects
Jamie Balliu
Interactivity for social projects
My journey as crossmedia storyteller
Michael Grotenhoff
My journey as crossmedia storyteller
Netwars: a multiplatform project
Michael Grotenhoff
Netwars: a multiplatform project
New funding schemes
Nicole Van Schaik
New funding schemes
Shifting to foundations
Nicole Van Schaik
Shifting to foundations
The birth of an interactive story
Jamie Balliu
The birth of an interactive story
The changes in the audiovisual markets: where's the money now?
Charlie Phillips
The changes in the audiovisual markets: where's the money now?
The importance (and the dangers) of feedbacks
Sibylle Kurz
The importance (and the dangers) of feedbacks
The key elements of a pitch
Charlie Phillips
The key elements of a pitch
There are no golden rules. You have to reasearch
Jamie Balliu
There are no golden rules. You have to reasearch
Today's market: is it the right place for documentary?
Mick Csáky
Today's market: is it the right place for documentary?
Training documentary professionals
Stefano Tealdi
Training documentary professionals
Understanding crowdfunding
Charlie Phillips
Understanding crowdfunding
What is “pitching”?
Sibylle Kurz
What is “pitching”?
What is a crossmedia project?
Jamie Balliu
What is a crossmedia project?
“Drone”
Tonje Hessen-Schei
“Drone”
Allow yourself to do it wrong
Fernanda Rossi
Allow yourself to do it wrong
Being a documentarian
Tonje Hessen-Schei
Being a documentarian
Dos and donts in crossmedia
Mike Dicks
Dos and donts in crossmedia
ESoDoc and Drone
Tonje Hessen-Schei
ESoDoc and Drone
Filmmakers and social campaigns
Mike Dicks
Filmmakers and social campaigns
Financing Participatory Video Projects
Angelo Loy
Financing Participatory Video Projects
Funding “Drone”
Tonje Hessen-Schei
Funding “Drone”
Pitching: there are no golden rules, but be ready to adapt yourself
Fernanda Rossi
Pitching: there are no golden rules, but be ready to adapt yourself
Remember the last time you falled in love with your project
Fernanda Rossi
Remember the last time you falled in love with your project
Satisfactions and disappointments
Angelo Loy
Satisfactions and disappointments
The Fledgling Fund: what are we looking for
Emily Verellen
The Fledgling Fund: what are we looking for
The new distribution channels
Mike Dicks
The new distribution channels
Translating creativity
Mike Dicks
Translating creativity
Using social media, communicating with your audience
Mike Dicks
Using social media, communicating with your audience
Working with NGOs
Angelo Loy
Working with NGOs
“La Jaula de oro”
Diego Quemada-Diez
“La Jaula de oro”
An “issue” is not enough
Rehad Desai
An “issue” is not enough
Documentaries today
Mike Lerner
Documentaries today
Finding an audience
Mike Lerner
Finding an audience
Impact and participatory video
Corinne van Egeraat
Impact and participatory video
Respect, time and immagination
Corinne van Egeraat
Respect, time and immagination
Test your ideas!
Matthieu Lietaert
Test your ideas!
The biggest challenge? Finding the right story
Rehad Desai
The biggest challenge? Finding the right story
The bricks to construct a film
Rehad Desai
The bricks to construct a film
The Brussels Business
Matthieu Lietaert
The Brussels Business
The challenges of a producer
Mike Lerner
The challenges of a producer
Webdocs: a survival guide for online filmmakers
Matthieu Lietaert
Webdocs: a survival guide for online filmmakers
“The Act of Killing”: the commissioning process
Sabine Bubeck-Paaz
“The Act of Killing”: the commissioning process
“The Brussels Business”: the commissiong process
Sabine Bubeck-Paaz
“The Brussels Business”: the commissiong process
BBC: how has it changed
Hugh Purcell
BBC: how has it changed
The grammar of camera: how has it changed
Hugh Purcell
The grammar of camera: how has it changed
The impact of “The Act of Killing”
Sabine Bubeck-Paaz
The impact of “The Act of Killing”

2013

Creating new models for interactive storytelling
Jamie Balliu
Creating new models for interactive storytelling
Crossmedia and films: a slow journey
Fabio Mancini
Crossmedia and films: a slow journey
Designing NGOs communication strategies
Martin Atkin
Designing NGOs communication strategies
Do your homework!
Martin Atkin
Do your homework!
Ethical issues in filmmaking
Flora Gregory
Ethical issues in filmmaking
Etichs in documentary filmmaking
Martin Atkin
Etichs in documentary filmmaking
Facing the market
Audrius Stonys
Facing the market
Funding a crossmedia project
Jamie Balliu
Funding a crossmedia project
Hook your funders...or die trying...
Stefano Tealdi
Hook your funders...or die trying...
Interactive vs. Crossmedia: yes, there are differences!
Sandra Gaudenzi
Interactive vs. Crossmedia: yes, there are differences!
Interactivity vs. Story
Martin Atkin
Interactivity vs. Story
Mixing traditional films and new media elements
Jamie Balliu
Mixing traditional films and new media elements
My “key elements” for a documentary
Hugh Purcell
My “key elements” for a documentary
My experience at ESoDoc
Chris Leslie
My experience at ESoDoc
My pitching experiences
Audrius Stonys
My pitching experiences
Pitching
Hugh Purcell
Pitching
Practice your pitching skills
Flora Gregory
Practice your pitching skills
Preparing for interviews
Mick Csáky
Preparing for interviews
Producing a documentary film
Stefano Tealdi
Producing a documentary film
The challenges for today's filmmakers
Mick Csáky
The challenges for today's filmmakers
The changes from the mid 90s: the changing role of the documentary filmmaker
Jamie Balliu
The changes from the mid 90s: the changing role of the documentary filmmaker
The importance of research and preparation
Mick Csáky
The importance of research and preparation
The market needs and international co-productions
Fabio Mancini
The market needs and international co-productions
The rising importance of an online presence
Flora Gregory
The rising importance of an online presence
The role of the filmmaker
Mick Csáky
The role of the filmmaker
The tricky question: how to fund your interactive project?
Sandra Gaudenzi
The tricky question: how to fund your interactive project?
Three Golden Rules for filmmakers
Flora Gregory
Three Golden Rules for filmmakers
Too many terms...too much confusion
Sandra Gaudenzi
Too many terms...too much confusion
Trends in the global market
Flora Gregory
Trends in the global market
What is filmmaking for me
Audrius Stonys
What is filmmaking for me
Who's the audience of online documentaries?
Sandra Gaudenzi
Who's the audience of online documentaries?
Words vs. Visuals when presenting your film
Flora Gregory
Words vs. Visuals when presenting your film
Working with international co-productions
Mick Csáky
Working with international co-productions
A receipt for project development
Yacine Helali
A receipt for project development
Be prepared!
Julie Noon
Be prepared!
Being a woman filming in difficult situation
Julie Noon
Being a woman filming in difficult situation
Chosing and training the “Video Volunteers”
Stalin K. & Jessica Mayberry
Chosing and training the “Video Volunteers”
Financing is THE challenge for filmmakers
Yacine Helali
Financing is THE challenge for filmmakers
Funding your project in a transition moment
Mark Atkin
Funding your project in a transition moment
Introducing “B'Tselem”
Yoav Gross
Introducing “B'Tselem”
Introducing “Video Volunteers”
Stalin K. & Jessica Mayberry
Introducing “Video Volunteers”
New storytelling vs. tradional storytelling
Julie Noon
New storytelling vs. tradional storytelling
Take the risk!
Iikka Vehkalahti
Take the risk!
The line between “courage” and “stupidity”
Stalin K. & Jessica Mayberry
The line between “courage” and “stupidity”
Think global, think universal
Iikka Vehkalahti
Think global, think universal
What is “Crossover”
Mark Atkin
What is “Crossover”
Arte Future
Sabine Bubeck-Paaz
Arte Future
Arte on the web
Sabine Bubeck-Paaz
Arte on the web
Arte programmes online
Sabine Bubeck-Paaz
Arte programmes online
Different format for different use
Nicole Van Schaik
Different format for different use
ESoDoc and crossmedia projects
Sabine Bubeck-Paaz
ESoDoc and crossmedia projects
From “news packages” to “creative productions”
Maarten van Rouveroy
From “news packages” to “creative productions”
Greenpeace's film units
Maarten van Rouveroy
Greenpeace's film units
Introducing “GoodPitch”
Nicole Van Schaik
Introducing “GoodPitch”
Investing on crossmedia projects
Sabine Bubeck-Paaz
Investing on crossmedia projects
Let's create the reality which is most insightful
Joshua Oppenheimer
Let's create the reality which is most insightful
Targeting your audience
Maarten van Rouveroy
Targeting your audience
The importance of working in team
Moniek Wester Keegstra
The importance of working in team

2012

Be realistic with the commissioners
Martin Atkin
Be realistic with the commissioners
Being part of a community
Caroline Mutz
Being part of a community
Being your own producer
Mick Csáky
Being your own producer
Believe in your ideas
Sibylle Kurz
Believe in your ideas
Content. Content. Content.
Mick Csáky
Content. Content. Content.
Creativity comes from development
Sabine Bubeck-Paaz
Creativity comes from development
Deliver your project with passion
Stefano Tealdi
Deliver your project with passion
Developing your pitching skills
Sibylle Kurz
Developing your pitching skills
Experience for users
Jamie Balliu
Experience for users
Get a lot of expertise in your team
Nicolette Nol
Get a lot of expertise in your team
Green TV and the evolution of distribution
Martin Atkin
Green TV and the evolution of distribution
Moderating the pitch
Stefano Tealdi
Moderating the pitch
New channels for NGOs
Mick Csáky
New channels for NGOs
Social change and the market: the partnership between ESoDoc and Documentary in Europe
Stefano Tealdi
Social change and the market: the partnership between ESoDoc and Documentary in Europe
Structuring an idea into a project
Caroline Mutz
Structuring an idea into a project
The “ESoDoc family”
Sabine Bubeck-Paaz
The “ESoDoc family”
The rapid development of cross-media
Sabine Bubeck-Paaz
The rapid development of cross-media
The sense of documentary making at ESoDoc
Caroline Mutz
The sense of documentary making at ESoDoc
What to do in a website
Mark Atkin
What to do in a website
It is important to believe in your idea
Sibylle Kurz
It is important to believe in your idea
Be a flexible filmmaker
Phil Cox
Be a flexible filmmaker
Building relationships with Participatory Video
Rose McCausland
Building relationships with Participatory Video
Designing the journey of the user
Jamie Balliu
Designing the journey of the user
Engaging the audience is an ongoing process
Mark Atkin
Engaging the audience is an ongoing process
Filmmaking and Participatory Video
Rose McCausland
Filmmaking and Participatory Video
Focus on how to engage your audience
Mark Atkin
Focus on how to engage your audience
How convergence influences the creative process
Mark Atkin
How convergence influences the creative process
Introducing: Mark Atkin
Mark Atkin
Introducing: Mark Atkin
Learn to be clear
Max Disbeaux
Learn to be clear
Mapping the user journey
Mark Atkin
Mapping the user journey
Teaching the “user journey” at ESoDoc
Jamie Balliu
Teaching the “user journey” at ESoDoc
The atmosphere at ESoDoc
Fernanda Rossi
The atmosphere at ESoDoc
The challenge to pitch a crossmedia project
Mark Atkin
The challenge to pitch a crossmedia project
The tools I got at ESoDoc
Max Disbeaux
The tools I got at ESoDoc
User experience: storytelling and interactivity
Jamie Balliu
User experience: storytelling and interactivity
What I got out of ESoDoc
Chris Leslie
What I got out of ESoDoc
What is Participatory Video?
Rose McCausland
What is Participatory Video?
Why multiplatform?
Mark Atkin
Why multiplatform?
Adapting storytelling for different platforms
Liz Rosenthal
Adapting storytelling for different platforms
Attention in the new media
Mark Kaigwa
Attention in the new media
Campaigning with your film
Hanna Polak
Campaigning with your film
Connecting filmmakers and NGOs
Robert West
Connecting filmmakers and NGOs
Connecting NGOs and broadcasters
Jörg Grossmann
Connecting NGOs and broadcasters
Connecting with the audiovisual industry at ESoDoc
Fany de la Chica
Connecting with the audiovisual industry at ESoDoc
Engaging your audience on various platform
Liz Rosenthal
Engaging your audience on various platform
ESoDoc in a nutshell
Joost Bevernage
ESoDoc in a nutshell
Ethic in filmmaking
Kelly Matheson
Ethic in filmmaking
Focusing on developing your project at ESoDoc
Fany de la Chica
Focusing on developing your project at ESoDoc
Funding documentary films
Robert West
Funding documentary films
Introducing: Liz Rosenthal
Liz Rosenthal
Introducing: Liz Rosenthal
Making films that create change
Kelly Matheson
Making films that create change
Mobile phones as a new platform for storytelling
Mark Kaigwa
Mobile phones as a new platform for storytelling
Social stories and crossmedia: the essential approach
Liz Rosenthal
Social stories and crossmedia: the essential approach
The benefits of networks
Anna Azzolini
The benefits of networks
The impact of your film: a fine balance between winning and losing
Hanna Polak
The impact of your film: a fine balance between winning and losing
The story is still the most important part of your project
Hanna Polak
The story is still the most important part of your project
Using mobiles for shooting
Mark Kaigwa
Using mobiles for shooting
Working on a distribution strategy
Robert West
Working on a distribution strategy
You can be happy
Hanna Polak
You can be happy
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