Browse by Topic: Crossmedia

Curiosity is the keyword in documentary filmmaking
Audrius Stonys
Curiosity is the keyword in documentary filmmaking
Focusing on on-line products: Little Dot Studios
Adam Gee
Focusing on on-line products: Little Dot Studios
How format affects impact
Ondřej Moravec
How format affects impact
My views on the future of documentary
Ondřej Moravec
My views on the future of documentary
Cinematic language needs to change constantly
Audrius Stonys
Cinematic language needs to change constantly
Multiplatform formats are suitable for campaigning
Adam Gee
Multiplatform formats are suitable for campaigning
Diverse partnerships might lead to diverse funding
Shreepali Patel
Diverse partnerships might lead to diverse funding
ESoDoc’s treasure: diversity
Shreepali Patel
ESoDoc’s treasure: diversity
Story Lab: our mission and vision
Shreepali Patel
Story Lab: our mission and vision
The multi-modal model
Shreepali Patel
The multi-modal model
What does it means for documentary the development of the new media
Esther Van Messel
What does it means for documentary the development of the new media
The cooperation process: interactive projects needs new types of team
Maya Eriksson
The cooperation process: interactive projects needs new types of team
The market of interactive media
Maya Eriksson
The market of interactive media
The mission of Interactive Media Foundation
Maya Eriksson
The mission of Interactive Media Foundation
The process of verification in adaptive workflow: testing and adapting
Maya Eriksson
The process of verification in adaptive workflow: testing and adapting
Distribution on many platform can help to get impact and financing for the film
Margje de Koning
Distribution on many platform can help to get impact and financing for the film
ARTE contents: from traditional programming to VR experiences
Alexander Knetig
ARTE contents: from traditional programming to VR experiences
Commissioning at “ARTE Creative”: digital content for younger people
Alexander Knetig
Commissioning at “ARTE Creative”: digital content for younger people
My most important professional moments
Alexander Knetig
My most important professional moments
The essential skill for cross-media and VR productions? Team working
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
New ways to combine traditional and immersive media
Mark Atkin
New ways to combine traditional and immersive media
Riot: an immersive project using facial recognition technology and 360° sound
Mark Atkin
Riot: an immersive project using facial recognition technology and 360° sound
The rapid expansion and applications of VR in the last years
Mark Atkin
The rapid expansion and applications of VR in the last years
Interdisciplinarity is a “must” for modern projects
Kris Krois
Interdisciplinarity is a “must” for modern projects
Formats and platforms in media communication - the role of innovative tools like VR
Nora Guicheney
Formats and platforms in media communication - the role of innovative tools like VR
Think global, act local
Matthieu Lietaert
Think global, act local
Creative expression: finding inspiration in the differences
Wendy Levy
Creative expression: finding inspiration in the differences
Does the rise of the digital market really impact my film?
Mike Lerner
Does the rise of the digital market really impact my film?
My job and the mission of NAMAC
Wendy Levy
My job and the mission of NAMAC
Reaching a realistic feeling: rotoscoping technique and the sound
Jan-Dirk Bouw
Reaching a realistic feeling: rotoscoping technique and the sound
The evolution of Cross Video Days
Bruno Smadja
The evolution of Cross Video Days
The team in an animated documentary project
Jan-Dirk Bouw
The team in an animated documentary project
Why I make animated documentary
Jan-Dirk Bouw
Why I make animated documentary
The MIT and the Open Documentary Lab
Katerina Cizek
The MIT and the Open Documentary Lab
Audience and access: VR public exhibitions, web distribution, funding
Mark Atkin
Audience and access: VR public exhibitions, web distribution, funding
Multiplatform distribution
Mark Atkin
Multiplatform distribution
Reaching your audience: experimenting and learning from errors
Sabine Bubeck-Paaz
Reaching your audience: experimenting and learning from errors
Storytelling and technology
Mark Atkin
Storytelling and technology
There’s still a place for classical documentary in the digital era
Sabine Bubeck-Paaz
There’s still a place for classical documentary in the digital era
Development and production strategies in interactive media
Jamie Balliu
Development and production strategies in interactive media
Project development in the digital production environment
Jamie Balliu
Project development in the digital production environment
Understanding the user motivation and ability to raise user engagement
Jamie Balliu
Understanding the user motivation and ability to raise user engagement
Visual journalism vs data journalism
Matteo Moretti
Visual journalism vs data journalism
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Digital storytelling
Lena Thiele
Digital storytelling
Find the right technology for your story
Sebastian Baurmann
Find the right technology for your story
Gaming, documentary and social change: the impact in society
Kim Daniel Arthur
Gaming, documentary and social change: the impact in society
How to start a transmedia project
Lena Thiele
How to start a transmedia project
Love & Passion
Kim Daniel Arthur
Love & Passion
Technology as a tool to tell good stories
Lena Thiele
Technology as a tool to tell good stories
Testing testing testing…
Sebastian Baurmann
Testing testing testing…
The changing distribution models in the gaming industry
Kim Daniel Arthur
The changing distribution models in the gaming industry
The changing media landscape
Lena Thiele
The changing media landscape
The importance of strategic partnerships
Sarah Mosses
The importance of strategic partnerships
The planning phase; the team; the importance of the user experience
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
Use only what is needed for the story: responsive design
Sebastian Baurmann
Use only what is needed for the story: responsive design
What is gaming
Kim Daniel Arthur
What is gaming
Artistic changes in documentary
Caroline Mutz
Artistic changes in documentary
Changes in documentary production
Caroline Mutz
Changes in documentary production
Cross-media projects currently supported by ZDF
Lucia Haslauer
Cross-media projects currently supported by ZDF
Developments in new media and documentary
Lucia Haslauer
Developments in new media and documentary
Introduction and job description
Lucia Haslauer
Introduction and job description
New chances with cross-media projects
Lucia Haslauer
New chances with cross-media projects
Use of new technologies may give more chances to documentary
Lucia Haslauer
Use of new technologies may give more chances to documentary
Are there financing possibilities for transmedia projects?
Leena Pasanen
Are there financing possibilities for transmedia projects?
What are the changes in the documentary scene
Leena Pasanen
What are the changes in the documentary scene
How I became an art director in digital media
Sebastian Baurmann
How I became an art director in digital media
Prototyping is the core in developing projects
Sebastian Baurmann
Prototyping is the core in developing projects
Skills to become an art director in digital media
Sebastian Baurmann
Skills to become an art director in digital media
The graphical development process
Sebastian Baurmann
The graphical development process
The software development process
Sebastian Baurmann
The software development process
What is digital media; work as art director
Sebastian Baurmann
What is digital media; work as art director
An example of virtual reality documentary
Mark Atkin
An example of virtual reality documentary
Collaborations
Francesca Panetta
Collaborations
Convergent media on the market
Mark Atkin
Convergent media on the market
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Mark Atkin
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Differences between films and interactive media
Mark Atkin
Differences between films and interactive media
Ethical implications in interactive projects
Mark Atkin
Ethical implications in interactive projects
From paper to digital media
Francesca Panetta
From paper to digital media
Get funds for interactive projects
Mark Atkin
Get funds for interactive projects
Golden rule, biggest mistake
Mark Atkin
Golden rule, biggest mistake
Low costs of interactive projects
Mark Atkin
Low costs of interactive projects
Making sound an important part of contents description
Francesca Panetta
Making sound an important part of contents description
My job history and description
Francesca Panetta
My job history and description
My work as special project editor
Francesca Panetta
My work as special project editor
My working team
Francesca Panetta
My working team
Presentation and job description
Mark Atkin
Presentation and job description
Pros and cons working in new media
Francesca Panetta
Pros and cons working in new media
Recommendations: strong stories, do not overcomplicate, work in team, testing
Francesca Panetta
Recommendations: strong stories, do not overcomplicate, work in team, testing
Skills to become a special project editor
Francesca Panetta
Skills to become a special project editor
The interest of documentarists for cross-media
Mark Atkin
The interest of documentarists for cross-media
The role of interactivity
Francesca Panetta
The role of interactivity
To describe Cross-media user experience we need maps
Mark Atkin
To describe Cross-media user experience we need maps
Rules to be a good campaigner
Ben Kempass
Rules to be a good campaigner
Cross-media is just a word
Florian Thalhofer
Cross-media is just a word
Projects with challenges on the market
Florian Thalhofer
Projects with challenges on the market
Tendency for the successful projects
Florian Thalhofer
Tendency for the successful projects
The Korsakow software
Florian Thalhofer
The Korsakow software
A visual journalism project: People's Republic on Bolzano
Matteo Moretti
A visual journalism project: People's Republic on Bolzano
Chances for video journalism in the market
Kris Krois
Chances for video journalism in the market
Connections between design and documentary
Matteo Moretti
Connections between design and documentary
Cross-points between documentary and visual communication
Kris Krois
Cross-points between documentary and visual communication
Definition of cross-media
Kris Krois
Definition of cross-media
Interactivity in web based projects
Matteo Moretti
Interactivity in web based projects
Meanings of visual communication (for me)
Kris Krois
Meanings of visual communication (for me)
Media for social change
Kris Krois
Media for social change
The different backgrounds that make me a visual communication teacher / designer
Kris Krois
The different backgrounds that make me a visual communication teacher / designer
We need an interdisciplinary team for visual journalism projects
Matteo Moretti
We need an interdisciplinary team for visual journalism projects
What's for me a cross-media project
Matteo Moretti
What's for me a cross-media project
Differences between linear and transmedia projects
Lena Thiele
Differences between linear and transmedia projects
Frustrating moments: funding and expectations
Lena Thiele
Frustrating moments: funding and expectations
Interdisciplinarity: skills for transmedia projects
Lena Thiele
Interdisciplinarity: skills for transmedia projects
The process of developing a transmedia project
Lena Thiele
The process of developing a transmedia project
Three golden rules to develop transmedia projects
Lena Thiele
Three golden rules to develop transmedia projects
User experience and contents leads us to develop interface as a tool
Lena Thiele
User experience and contents leads us to develop interface as a tool
What is a transmedia project
Lena Thiele
What is a transmedia project
What we do in our profession
Lena Thiele
What we do in our profession
Chances offered by the mew media
Raimo Lång
Chances offered by the mew media
Differences between linear and transmedia projects
Raimo Lång
Differences between linear and transmedia projects
Reasons why I started doing new media projects
Raimo Lång
Reasons why I started doing new media projects
Role of digital gears in developing transmedia projects
Raimo Lång
Role of digital gears in developing transmedia projects
Storytelling in transmedia
Raimo Lång
Storytelling in transmedia
The user in transmedia projects
Raimo Lång
The user in transmedia projects
What is a transmedia project
Raimo Lång
What is a transmedia project
Crossmedia: is it really a must?
Charlie Phillips
Crossmedia: is it really a must?
Focus, specialize and talk to your team
Jamie Balliu
Focus, specialize and talk to your team
Interactivity for social projects
Jamie Balliu
Interactivity for social projects
My journey as crossmedia storyteller
Michael Grotenhoff
My journey as crossmedia storyteller
Netwars: a multiplatform project
Michael Grotenhoff
Netwars: a multiplatform project
The birth of an interactive story
Jamie Balliu
The birth of an interactive story
There are no golden rules. You have to reasearch
Jamie Balliu
There are no golden rules. You have to reasearch
What is a crossmedia project?
Jamie Balliu
What is a crossmedia project?
Dos and donts in crossmedia
Mike Dicks
Dos and donts in crossmedia
Filmmakers and social campaigns
Mike Dicks
Filmmakers and social campaigns
The new distribution channels
Mike Dicks
The new distribution channels
Translating creativity
Mike Dicks
Translating creativity
Using social media, communicating with your audience
Mike Dicks
Using social media, communicating with your audience
Test your ideas!
Matthieu Lietaert
Test your ideas!
The Brussels Business
Matthieu Lietaert
The Brussels Business
Webdocs: a survival guide for online filmmakers
Matthieu Lietaert
Webdocs: a survival guide for online filmmakers
Crossmedia and films: a slow journey
Fabio Mancini
Crossmedia and films: a slow journey
Funding a crossmedia project
Jamie Balliu
Funding a crossmedia project
Interactive vs. Crossmedia: yes, there are differences!
Sandra Gaudenzi
Interactive vs. Crossmedia: yes, there are differences!
Interactivity vs. Story
Martin Atkin
Interactivity vs. Story
Mixing traditional films and new media elements
Jamie Balliu
Mixing traditional films and new media elements
The changes from the mid 90s: the changing role of the documentary filmmaker
Jamie Balliu
The changes from the mid 90s: the changing role of the documentary filmmaker
The rising importance of an online presence
Flora Gregory
The rising importance of an online presence
The tricky question: how to fund your interactive project?
Sandra Gaudenzi
The tricky question: how to fund your interactive project?
Too many terms...too much confusion
Sandra Gaudenzi
Too many terms...too much confusion
Who's the audience of online documentaries?
Sandra Gaudenzi
Who's the audience of online documentaries?
Introducing “Video Volunteers”
Stalin K. & Jessica Mayberry
Introducing “Video Volunteers”
What is “Crossover”
Mark Atkin
What is “Crossover”
Arte Future
Sabine Bubeck-Paaz
Arte Future
Arte on the web
Sabine Bubeck-Paaz
Arte on the web
Arte programmes online
Sabine Bubeck-Paaz
Arte programmes online
Different format for different use
Nicole Van Schaik
Different format for different use
ESoDoc and crossmedia projects
Sabine Bubeck-Paaz
ESoDoc and crossmedia projects
Investing on crossmedia projects
Sabine Bubeck-Paaz
Investing on crossmedia projects
The importance of working in team
Moniek Wester Keegstra
The importance of working in team
Experience for users
Jamie Balliu
Experience for users
Get a lot of expertise in your team
Nicolette Nol
Get a lot of expertise in your team
The rapid development of cross-media
Sabine Bubeck-Paaz
The rapid development of cross-media
Designing the journey of the user
Jamie Balliu
Designing the journey of the user
Engaging the audience is an ongoing process
Mark Atkin
Engaging the audience is an ongoing process
Focus on how to engage your audience
Mark Atkin
Focus on how to engage your audience
How convergence influences the creative process
Mark Atkin
How convergence influences the creative process
Introducing: Mark Atkin
Mark Atkin
Introducing: Mark Atkin
Learn to be clear
Max Disbeaux
Learn to be clear
Mapping the user journey
Mark Atkin
Mapping the user journey
Teaching the “user journey” at ESoDoc
Jamie Balliu
Teaching the “user journey” at ESoDoc
The challenge to pitch a crossmedia project
Mark Atkin
The challenge to pitch a crossmedia project
The tools I got at ESoDoc
Max Disbeaux
The tools I got at ESoDoc
User experience: storytelling and interactivity
Jamie Balliu
User experience: storytelling and interactivity
Why multiplatform?
Mark Atkin
Why multiplatform?
Adapting storytelling for different platforms
Liz Rosenthal
Adapting storytelling for different platforms
Attention in the new media
Mark Kaigwa
Attention in the new media
Engaging your audience on various platform
Liz Rosenthal
Engaging your audience on various platform
Introducing: Liz Rosenthal
Liz Rosenthal
Introducing: Liz Rosenthal
Mobile phones as a new platform for storytelling
Mark Kaigwa
Mobile phones as a new platform for storytelling
Social stories and crossmedia: the essential approach
Liz Rosenthal
Social stories and crossmedia: the essential approach
Using mobiles for shooting
Mark Kaigwa
Using mobiles for shooting
"Riot": an immersive project using facial recognition technology and 360° sound
"Riot": an immersive project using facial recognition technology and 360° sound
“The Brussels Business”: the commissiong process
Sabine Bubeck-Paaz
“The Brussels Business”: the commissiong process
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