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Joelle Alexis

Describing editor’s profession
Describing editor’s profession
Golden rules for a good teaser
Golden rules for a good teaser
I put myself in work collaboration: I chose the topics related to my personal life
I put myself in work collaboration: I chose the topics related to my personal life
Practical working method in editing: choose rushes
Practical working method in editing: choose rushes
The dialectic with the director
The dialectic with the director
The importance to see the rushes before the end of the shooting period
The importance to see the rushes before the end of the shooting period
The key role of the editor in filmmaking; the “Rough Cut” group
The key role of the editor in filmmaking; the “Rough Cut” group
The most beautiful moment in my career
The most beautiful moment in my career
There isn't only one method to choose the right edit
There isn't only one method to choose the right edit

Martin Atkin

Designing NGOs communication strategies
Designing NGOs communication strategies
Do your homework!
Do your homework!
Etichs in documentary filmmaking
Etichs in documentary filmmaking
Interactivity vs. Story
Interactivity vs. Story
Be realistic with the commissioners
Be realistic with the commissioners
Green TV and the evolution of distribution
Green TV and the evolution of distribution

Mark Atkin

New ways to combine traditional and immersive media
New ways to combine traditional and immersive media
NGOs are using VR for funding: the impact on society
NGOs are using VR for funding: the impact on society
Riot: an immersive project using facial recognition technology and 360° sound
Riot: an immersive project using facial recognition technology and 360° sound
The rapid expansion and applications of VR in the last years
The rapid expansion and applications of VR in the last years
Audience and access: VR public exhibitions, web distribution, funding
Audience and access: VR public exhibitions, web distribution, funding
Broadcast VS digital distribution: storytelling and characters are the keys
Broadcast VS digital distribution: storytelling and characters are the keys
Multiplatform distribution
Multiplatform distribution
Public funding is needed to develop new ways of storytelling
Public funding is needed to develop new ways of storytelling
Storytelling and technology
Storytelling and technology
An example of virtual reality documentary
An example of virtual reality documentary
Convergent media on the market
Convergent media on the market
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Crossover exhibitions: virtual reality projects at Sheffield Doc Fest 2015
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Crossover media annual conference and exhibitions on Sheffield Doc Fest
Differences between films and interactive media
Differences between films and interactive media
Ethical implications in interactive projects
Ethical implications in interactive projects
Get funds for interactive projects
Get funds for interactive projects
Golden rule, biggest mistake
Golden rule, biggest mistake
Increasing importance of common social platforms
Increasing importance of common social platforms
Low costs of interactive projects
Low costs of interactive projects
Presentation and job description
Presentation and job description
The interest of documentarists for cross-media
The interest of documentarists for cross-media
To describe Cross-media user experience we need maps
To describe Cross-media user experience we need maps
Funding your project in a transition moment
Funding your project in a transition moment
What is “Crossover”
What is “Crossover”
What to do in a website
What to do in a website
Engaging the audience is an ongoing process
Engaging the audience is an ongoing process
Focus on how to engage your audience
Focus on how to engage your audience
How convergence influences the creative process
How convergence influences the creative process
Introducing: Mark Atkin
Introducing: Mark Atkin
Mapping the user journey
Mapping the user journey
The challenge to pitch a crossmedia project
The challenge to pitch a crossmedia project
Why multiplatform?
Why multiplatform?

Anna Azzolini

The benefits of networks
The benefits of networks

Jamie Balliu

Development and production strategies in interactive media
Development and production strategies in interactive media
Finding the purpose of your project, and measuring its feedback
Finding the purpose of your project, and measuring its feedback
Funds and funding
Funds and funding
Project development in the digital production environment
Project development in the digital production environment
Understanding the user motivation and ability to raise user engagement
Understanding the user motivation and ability to raise user engagement
Focus, specialize and talk to your team
Focus, specialize and talk to your team
Interactivity for social projects
Interactivity for social projects
The birth of an interactive story
The birth of an interactive story
There are no golden rules. You have to reasearch
There are no golden rules. You have to reasearch
What is a crossmedia project?
What is a crossmedia project?
Creating new models for interactive storytelling
Creating new models for interactive storytelling
Funding a crossmedia project
Funding a crossmedia project
Mixing traditional films and new media elements
Mixing traditional films and new media elements
The changes from the mid 90s: the changing role of the documentary filmmaker
The changes from the mid 90s: the changing role of the documentary filmmaker
Experience for users
Experience for users
Designing the journey of the user
Designing the journey of the user
Teaching the “user journey” at ESoDoc
Teaching the “user journey” at ESoDoc
User experience: storytelling and interactivity
User experience: storytelling and interactivity

Simone Baumann

Documentaries are my favourite: real story of real people
Documentaries are my favourite: real story of real people
Market for documentary: distribution, audience, festivals and Netflix...
Market for documentary: distribution, audience, festivals and Netflix...
The market model for Netflix / Amazon
The market model for Netflix / Amazon

Sebastian Baurmann

Find the right technology for your story
Find the right technology for your story
Testing testing testing…
Testing testing testing…
The planning phase; the team; the importance of the user experience
The planning phase; the team; the importance of the user experience
Use only what is needed for the story: responsive design
Use only what is needed for the story: responsive design
ESoDoc experience
ESoDoc experience
Financing projects
Financing projects
Golden rules developing projects
Golden rules developing projects
How I became an art director in digital media
How I became an art director in digital media
Prototyping is the core in developing projects
Prototyping is the core in developing projects
Skills to become an art director in digital media
Skills to become an art director in digital media
The film team members of a film project
The film team members of a film project
The graphical development process
The graphical development process
The software development process
The software development process
Time needed to develop projects
Time needed to develop projects
Touch devices may be the future
Touch devices may be the future
What is digital media; work as art director
What is digital media; work as art director

Joost Bevernage

ESoDoc in a nutshell
ESoDoc in a nutshell

Jan-Dirk Bouw

Reaching a realistic feeling: rotoscoping technique and the sound
Reaching a realistic feeling: rotoscoping technique and the sound
The impact of animation on young audience
The impact of animation on young audience
The team in an animated documentary project
The team in an animated documentary project
Why I make animated documentary
Why I make animated documentary

Sabine Bubeck-Paaz

Reaching your audience: experimenting and learning from errors
Reaching your audience: experimenting and learning from errors
The driving force for impact is good storytelling
The driving force for impact is good storytelling
The future is collaborative!
The future is collaborative!
There’s still a place for classical documentary in the digital era
There’s still a place for classical documentary in the digital era
Arte Future
Arte Future
Arte on the web
Arte on the web
Arte programmes online
Arte programmes online
ESoDoc and crossmedia projects
ESoDoc and crossmedia projects
Investing on crossmedia projects
Investing on crossmedia projects
Creativity comes from development
Creativity comes from development
The “ESoDoc family”
The “ESoDoc family”
The rapid development of cross-media
The rapid development of cross-media
“The Act of Killing”: the commissioning process
“The Act of Killing”: the commissioning process
“The Brussels Business”: the commissiong process
“The Brussels Business”: the commissiong process
The impact of “The Act of Killing”
The impact of “The Act of Killing”

Katerina Cizek

Co-creation in making documentaries
Co-creation in making documentaries
Let’s come together: building partnerships for the good of your project
Let’s come together: building partnerships for the good of your project
Managing complexity in the team network
Managing complexity in the team network
The MIT and the Open Documentary Lab
The MIT and the Open Documentary Lab

Phil Cox

Be a flexible filmmaker
Be a flexible filmmaker

Mick Csáky

A tool to decode the world
A tool to decode the world
Co-producations are fun...and valuable!
Co-producations are fun...and valuable!
Today's market: is it the right place for documentary?
Today's market: is it the right place for documentary?
Preparing for interviews
Preparing for interviews
The challenges for today's filmmakers
The challenges for today's filmmakers
The importance of research and preparation
The importance of research and preparation
The role of the filmmaker
The role of the filmmaker
Working with international co-productions
Working with international co-productions
Being your own producer
Being your own producer
Content. Content. Content.
Content. Content. Content.
New channels for NGOs
New channels for NGOs

Kim Daniel Arthur

Gaming, documentary and social change: the impact in society
Gaming, documentary and social change: the impact in society
Love & Passion
Love & Passion
The changing distribution models in the gaming industry
The changing distribution models in the gaming industry
What is gaming
What is gaming

Heino Deckert

Differences on producing fiction and documentary films
Differences on producing fiction and documentary films
Golden rule for a producer
Golden rule for a producer
How can a project get finances
How can a project get finances
Introduction and job description
Introduction and job description
Projects with chances on the market
Projects with chances on the market
Satisfactions in my job
Satisfactions in my job
Typical mistakes for a producer
Typical mistakes for a producer

Rehad Desai

An “issue” is not enough
An “issue” is not enough
The biggest challenge? Finding the right story
The biggest challenge? Finding the right story
The bricks to construct a film
The bricks to construct a film

Mike Dicks

Dos and donts in crossmedia
Dos and donts in crossmedia
Filmmakers and social campaigns
Filmmakers and social campaigns
The new distribution channels
The new distribution channels
Translating creativity
Translating creativity
Using social media, communicating with your audience
Using social media, communicating with your audience

Max Disbeaux

Learn to be clear
Learn to be clear
The tools I got at ESoDoc
The tools I got at ESoDoc

Maya Eriksson

The cooperation process: interactive projects needs new types of team
The cooperation process: interactive projects needs new types of team
The market of interactive media
The market of interactive media
The mission of Interactive Media Foundation
The mission of Interactive Media Foundation
The process of verification in adaptive workflow: testing and adapting
The process of verification in adaptive workflow: testing and adapting

Sandra Gaudenzi

Interactive vs. Crossmedia: yes, there are differences!
Interactive vs. Crossmedia: yes, there are differences!
The tricky question: how to fund your interactive project?
The tricky question: how to fund your interactive project?
Too many terms...too much confusion
Too many terms...too much confusion
Who's the audience of online documentaries?
Who's the audience of online documentaries?

Adam Gee

Business Models today
Business Models today
Focusing on on-line products: Little Dot Studios
Focusing on on-line products: Little Dot Studios
New talents, new angles
New talents, new angles
Story vs Topic
Story vs Topic
Multiplatform formats are suitable for campaigning
Multiplatform formats are suitable for campaigning

Lisa Glahn

One example of how PV processes can help to solve social conflicts
One example of how PV processes can help to solve social conflicts
The differences between Participatory Video and an amateur film
The differences between Participatory Video and an amateur film
The methodology of the process in Participatory Video projects
The methodology of the process in Participatory Video projects
The use of PV tools to make cinematographic documentary
The use of PV tools to make cinematographic documentary

Flora Gregory

Ethical issues in filmmaking
Ethical issues in filmmaking
Practice your pitching skills
Practice your pitching skills
The rising importance of an online presence
The rising importance of an online presence
Three Golden Rules for filmmakers
Three Golden Rules for filmmakers
Trends in the global market
Trends in the global market
Words vs. Visuals when presenting your film
Words vs. Visuals when presenting your film

Jörg Grossmann

Connecting NGOs and broadcasters
Connecting NGOs and broadcasters

Yoav Gross

Introducing “B'Tselem”
Introducing “B'Tselem”

Michael Grotenhoff

My journey as crossmedia storyteller
My journey as crossmedia storyteller
Netwars: a multiplatform project
Netwars: a multiplatform project

Nora Guicheney

Challenging and successful situations in collaborative environments
Challenging and successful situations in collaborative environments
Formats and platforms in media communication - the role of innovative tools like VR
Formats and platforms in media communication - the role of innovative tools like VR
How can a filmmaker collaborate with Médecins Sans Frontières
How can a filmmaker collaborate with Médecins Sans Frontières
Médecins Sans Frontières ethical rules
Médecins Sans Frontières ethical rules
Médecins Sans Frontières’ media production
Médecins Sans Frontières’ media production
Médecins Sans Frontières’ media strategy
Médecins Sans Frontières’ media strategy

Lucia Haslauer

Connecting new media filmmakers with traditional broadcasters
Connecting new media filmmakers with traditional broadcasters
Cross-media projects currently supported by ZDF
Cross-media projects currently supported by ZDF
Developments in new media and documentary
Developments in new media and documentary
Golden rules for young documentarians
Golden rules for young documentarians
Introduction and job description
Introduction and job description
New chances with cross-media projects
New chances with cross-media projects
Use of new technologies may give more chances to documentary
Use of new technologies may give more chances to documentary

Yacine Helali

A receipt for project development
A receipt for project development
Financing is THE challenge for filmmakers
Financing is THE challenge for filmmakers

Tonje Hessen-Schei

“Drone”
“Drone”
Being a documentarian
Being a documentarian
ESoDoc and Drone
ESoDoc and Drone
Funding “Drone”
Funding “Drone”

Stalin K. & Jessica Mayberry

Chosing and training the “Video Volunteers”
Chosing and training the “Video Volunteers”
Introducing “Video Volunteers”
Introducing “Video Volunteers”
The line between “courage” and “stupidity”
The line between “courage” and “stupidity”

Mark Kaigwa

Attention in the new media
Attention in the new media
Mobile phones as a new platform for storytelling
Mobile phones as a new platform for storytelling
Using mobiles for shooting
Using mobiles for shooting

Hanka Kastelicova

Developments of documentary for the future
Developments of documentary for the future
Introduction and job description
Introduction and job description
My biggest satisfaction as commissioning editor
My biggest satisfaction as commissioning editor
Our production's characteristics
Our production's characteristics
Team collaboration for productions: my motivation
Team collaboration for productions: my motivation
The documentary projects we are looking for
The documentary projects we are looking for

Ben Kempass

Criteria to choose projects
Criteria to choose projects
Documentaries can change society
Documentaries can change society
Ethical implications
Ethical implications
How can we measure the impact of a campaign?
How can we measure the impact of a campaign?
How I became a campaign organizer
How I became a campaign organizer
Inroduction
Inroduction
Making documentaries, the power is in the story
Making documentaries, the power is in the story
Reasons why campaign can fail
Reasons why campaign can fail
Reasons why I make this job
Reasons why I make this job
Relation with fillmakers
Relation with fillmakers
Rules to be a good campaigner
Rules to be a good campaigner
Skills to become a campaign creator
Skills to become a campaign creator
Successful projects has to show more nuances of reality
Successful projects has to show more nuances of reality
Teaching at ESoDoc
Teaching at ESoDoc
The market
The market

Katrine Kiilgaard

Co-financing innovative forms of documentary
Co-financing innovative forms of documentary
CPH-Dox: the Industry Platform for co-financing
CPH-Dox: the Industry Platform for co-financing
Documentaries are still a powerful medium to talk to and connect people
Documentaries are still a powerful medium to talk to and connect people
How to manage innovation and financing
How to manage innovation and financing
What CPH-Dox Festival does
What CPH-Dox Festival does

Alexander Knetig

ARTE contents: from traditional programming to VR experiences
ARTE contents: from traditional programming to VR experiences
Commissioning at “ARTE Creative”: digital content for younger people
Commissioning at “ARTE Creative”: digital content for younger people
My most important professional moments
My most important professional moments
Public services and new media: big changes in society and democracy
Public services and new media: big changes in society and democracy
The essential skill for cross-media and VR productions? Team working
The essential skill for cross-media and VR productions? Team working

Kris Krois

Eco-social design: definition and examples
Eco-social design: definition and examples
Interdisciplinarity is a “must” for modern projects
Interdisciplinarity is a “must” for modern projects
Chances for video journalism in the market
Chances for video journalism in the market
Cross-points between documentary and visual communication
Cross-points between documentary and visual communication
Definition of cross-media
Definition of cross-media
Ethical behaviour simply means be honest
Ethical behaviour simply means be honest
Introduction and job history
Introduction and job history
Meanings of visual communication (for me)
Meanings of visual communication (for me)
Media for social change
Media for social change
Reflections on media and how visual communication can change society
Reflections on media and how visual communication can change society
Some rules and some mistakes
Some rules and some mistakes
Teaching glocal design / eco-social design
Teaching glocal design / eco-social design
The different backgrounds that make me a visual communication teacher / designer
The different backgrounds that make me a visual communication teacher / designer

Sibylle Kurz

Different occasions to present your project = different pitchings
Different occasions to present your project = different pitchings
How I deal with people
How I deal with people
The importance (and the dangers) of feedbacks
The importance (and the dangers) of feedbacks
What is “pitching”?
What is “pitching”?
Believe in your ideas
Believe in your ideas
Developing your pitching skills
Developing your pitching skills
It is important to believe in your idea
It is important to believe in your idea

Mike Lerner

Creating universal stories for all audiences
Creating universal stories for all audiences
Does the rise of the digital market really impact my film?
Does the rise of the digital market really impact my film?
Every film is different, and every film needs a different financing strategy
Every film is different, and every film needs a different financing strategy
Documentaries today
Documentaries today
Finding an audience
Finding an audience
The challenges of a producer
The challenges of a producer

Chris Leslie

What I got out of ESoDoc
What I got out of ESoDoc

Chris Leslie

My experience at ESoDoc
My experience at ESoDoc

Wendy Levy

Creative expression: finding inspiration in the differences
Creative expression: finding inspiration in the differences
How NAMAC supports projects
How NAMAC supports projects
If you want to change the world, you must change the stories first
If you want to change the world, you must change the stories first
My job and the mission of NAMAC
My job and the mission of NAMAC

Matthieu Lietaert

Collaborative networks are the future!
Collaborative networks are the future!
Going hyperlocal to make concrete projects to change society
Going hyperlocal to make concrete projects to change society
Internet is a tool to increase cooperation
Internet is a tool to increase cooperation
Think global, act local
Think global, act local
Test your ideas!
Test your ideas!
The Brussels Business
The Brussels Business
Webdocs: a survival guide for online filmmakers
Webdocs: a survival guide for online filmmakers

Christine Loriol

How to prepare for pitching? Breath and communicate!
How to prepare for pitching? Breath and communicate!
Introduction and job description
Introduction and job description
What is pitching?
What is pitching?

Angelo Loy

Financing Participatory Video Projects
Financing Participatory Video Projects
Satisfactions and disappointments
Satisfactions and disappointments
Working with NGOs
Working with NGOs

Raimo Lång

Chances offered by the mew media
Chances offered by the mew media
Differences between linear and transmedia projects
Differences between linear and transmedia projects
Ethical implications on approaching characters or difficulties
Ethical implications on approaching characters or difficulties
Keywords: cross thinking; dirty hands
Keywords: cross thinking; dirty hands
Positive and negative mess
Positive and negative mess
Reasons why I started doing new media projects
Reasons why I started doing new media projects
Role of digital gears in developing transmedia projects
Role of digital gears in developing transmedia projects
Storytelling in transmedia
Storytelling in transmedia
Subject and theme: the visible and the invisible sides of projects
Subject and theme: the visible and the invisible sides of projects
The “bread hole” as a metaphor
The “bread hole” as a metaphor
The biggest satisfaction: find the core of a project
The biggest satisfaction: find the core of a project
The user in transmedia projects
The user in transmedia projects
Three golden rules to make interesting cross-media projects
Three golden rules to make interesting cross-media projects
What is a transmedia project
What is a transmedia project

Fabio Mancini

Crossmedia and films: a slow journey
Crossmedia and films: a slow journey
The market needs and international co-productions
The market needs and international co-productions

Kelly Matheson

Ethic in filmmaking
Ethic in filmmaking
Making films that create change
Making films that create change

Rose McCausland

Building relationships with Participatory Video
Building relationships with Participatory Video
Filmmaking and Participatory Video
Filmmaking and Participatory Video
What is Participatory Video?
What is Participatory Video?

Ondřej Moravec

How format affects impact
How format affects impact
My views on the future of documentary
My views on the future of documentary
The documentary influence across the industry
The documentary influence across the industry
What can be a “human rights” film and how we deal with impact campaigning
What can be a “human rights” film and how we deal with impact campaigning

Matteo Moretti

Alternative funding: the “Valigia Blu” case study
Alternative funding: the “Valigia Blu” case study
Audiences on the web: two examples
Audiences on the web: two examples
Funding within public institutions vs independent journalists
Funding within public institutions vs independent journalists
Using the data in journalism: quantitative and qualitative data
Using the data in journalism: quantitative and qualitative data
Visual journalism vs data journalism
Visual journalism vs data journalism
Visual journalism: the development process
Visual journalism: the development process
A visual journalism project: People's Republic on Bolzano
A visual journalism project: People's Republic on Bolzano
Connections between design and documentary
Connections between design and documentary
Ethical implications start from the correct use of data
Ethical implications start from the correct use of data
Interactivity in web based projects
Interactivity in web based projects
My professional background allows me to became a generative designer
My professional background allows me to became a generative designer
My teaching is web and motion design based on project
My teaching is web and motion design based on project
Three golden rules
Three golden rules
Three mistakes to avoid
Three mistakes to avoid
We need an interdisciplinary team for visual journalism projects
We need an interdisciplinary team for visual journalism projects
What's for me a cross-media project
What's for me a cross-media project

Sarah Mosses

Business tools for an impact distribution campaign
Business tools for an impact distribution campaign
The benefits of financing an impact marketing campaign
The benefits of financing an impact marketing campaign
Define the target audience
Define the target audience
Designing impact strategies: start from the essence of your project
Designing impact strategies: start from the essence of your project
Impact distribution strategy: the business plan
Impact distribution strategy: the business plan
The '1-9-99' rule on audiences
The '1-9-99' rule on audiences
The communication planning is the most important thing
The communication planning is the most important thing
The importance of strategic partnerships
The importance of strategic partnerships
An example of an excellent campaign: Virunga
An example of an excellent campaign: Virunga
Ethical approach to projects: we need to believe in them
Ethical approach to projects: we need to believe in them
Ethical implications
Ethical implications
Golden rules for the impact producer
Golden rules for the impact producer
How I  became an impact producer
How I became an impact producer
Moving emotions in audience is the biggest satisfaction
Moving emotions in audience is the biggest satisfaction
My job
My job
My only worry is my full email inbox …
My only worry is my full email inbox …
Out of region impact of the market
Out of region impact of the market
Skills for impact producers
Skills for impact producers
Strategies on distribution and marketing
Strategies on distribution and marketing
The ideal team for a documentary with social impact
The ideal team for a documentary with social impact
The role of impact producer
The role of impact producer
The role of impact producer (… for dummies :)
The role of impact producer (… for dummies :)
The role of impact producer in project development
The role of impact producer in project development
Things to avoid for a successful campaign
Things to avoid for a successful campaign
We are looking for strong films for emotional projects
We are looking for strong films for emotional projects

Caroline Mutz

(My) Biggest mistake
(My) Biggest mistake
Artistic changes in documentary
Artistic changes in documentary
Changes in documentary production
Changes in documentary production
Golden rules for producers
Golden rules for producers
Impressions on ESoDoc
Impressions on ESoDoc
My biggest satisfaction
My biggest satisfaction
The biggest problem
The biggest problem
Being part of a community
Being part of a community
Structuring an idea into a project
Structuring an idea into a project
The sense of documentary making at ESoDoc
The sense of documentary making at ESoDoc

Freddy Neumann

Being a publisher is working as a strategic consultant
Being a publisher is working as a strategic consultant
Creating an audience: start from the development stage!
Creating an audience: start from the development stage!
The  future of the documentary market: we need a new kind of storytelling
The future of the documentary market: we need a new kind of storytelling

Nicolette Nol

Get a lot of expertise in your team
Get a lot of expertise in your team

Julie Noon

Be prepared!
Be prepared!
Being a woman filming in difficult situation
Being a woman filming in difficult situation
New storytelling vs. tradional storytelling
New storytelling vs. tradional storytelling

Joshua Oppenheimer

How I decide the shooting and film style
How I decide the shooting and film style
How I decide to make a film about Indonesia
How I decide to make a film about Indonesia
Ideas and questions was emerging during the editing process of the films
Ideas and questions was emerging during the editing process of the films
The impact of The look of silence and The act of killing on the audience
The impact of The look of silence and The act of killing on the audience
Let's create the reality which is most insightful
Let's create the reality which is most insightful

Francesca Panetta

As a journalist I always make ethical decisions
As a journalist I always make ethical decisions
Collaborations
Collaborations
Developing multimedia projects is a huge team work activity
Developing multimedia projects is a huge team work activity
From paper to digital media
From paper to digital media
How and why we finance our projects
How and why we finance our projects
How we develop an interactive project
How we develop an interactive project
Making sound an important part of contents description
Making sound an important part of contents description
My job history and description
My job history and description
My work as special project editor
My work as special project editor
My working team
My working team
Project life
Project life
Pros and cons working in new media
Pros and cons working in new media
Recommendations: strong stories, do not overcomplicate, work in team, testing
Recommendations: strong stories, do not overcomplicate, work in team, testing
Skills to become a special project editor
Skills to become a special project editor
Social role and implications of interactive projects
Social role and implications of interactive projects
The audience of the Guardian
The audience of the Guardian
The Guardian
The Guardian
The role of interactivity
The role of interactivity

Leena Pasanen

Are there financing possibilities for transmedia projects?
Are there financing possibilities for transmedia projects?
Changes in financing for documentary
Changes in financing for documentary
Introduction and job description
Introduction and job description
The artistic way (for me) to make documentaries
The artistic way (for me) to make documentaries
The future for Dok Leipzig Festival
The future for Dok Leipzig Festival
What are the changes in the documentary scene
What are the changes in the documentary scene

Shreepali Patel

Diverse partnerships might lead to diverse funding
Diverse partnerships might lead to diverse funding
ESoDoc’s treasure: diversity
ESoDoc’s treasure: diversity
Story Lab: our mission and vision
Story Lab: our mission and vision
The multi-modal model
The multi-modal model

Charlie Phillips

Crossmedia: is it really a must?
Crossmedia: is it really a must?
Crowdfunding: creating an audience, creating a distribution strategy
Crowdfunding: creating an audience, creating a distribution strategy
Funding in the UK
Funding in the UK
The changes in the audiovisual markets: where's the money now?
The changes in the audiovisual markets: where's the money now?
The key elements of a pitch
The key elements of a pitch
Understanding crowdfunding
Understanding crowdfunding

Hanna Polak

Campaigning with your film
Campaigning with your film
The impact of your film: a fine balance between winning and losing
The impact of your film: a fine balance between winning and losing
The story is still the most important part of your project
The story is still the most important part of your project
You can be happy
You can be happy

Hugh Purcell

My “key elements” for a documentary
My “key elements” for a documentary
Pitching
Pitching
BBC: how has it changed
BBC: how has it changed
The grammar of camera: how has it changed
The grammar of camera: how has it changed

Diego Quemada-Diez

“La Jaula de oro”
“La Jaula de oro”

Liz Rosenthal

Adapting storytelling for different platforms
Adapting storytelling for different platforms
Engaging your audience on various platform
Engaging your audience on various platform
Introducing: Liz Rosenthal
Introducing: Liz Rosenthal
Social stories and crossmedia: the essential approach
Social stories and crossmedia: the essential approach

Fernanda Rossi

There are principles in storytelling, but no fixed formulas: dynamic storylines
There are principles in storytelling, but no fixed formulas: dynamic storylines
Two stories model: plot-driven vs narrative. The story structure continuum
Two stories model: plot-driven vs narrative. The story structure continuum
Two ways to see storytelling
Two ways to see storytelling
We need to balance passion and intellect
We need to balance passion and intellect
Be ready to collaborate with a writer
Be ready to collaborate with a writer
Changes in productions
Changes in productions
Ethical implications
Ethical implications
For me there is only one rule: listen
For me there is only one rule: listen
How i became a story analyst
How i became a story analyst
Introduction and job description
Introduction and job description
The pitfalls in projects
The pitfalls in projects
The way we can improve our projects with story analysis
The way we can improve our projects with story analysis
Allow yourself to do it wrong
Allow yourself to do it wrong
Pitching: there are no golden rules, but be ready to adapt yourself
Pitching: there are no golden rules, but be ready to adapt yourself
Remember the last time you falled in love with your project
Remember the last time you falled in love with your project
The atmosphere at ESoDoc
The atmosphere at ESoDoc

Bruno Smadja

Experimenting with digital media and the importance of public funding
Experimenting with digital media and the importance of public funding
The evolution of Cross Video Days
The evolution of Cross Video Days
The role of TVs and the new digital world
The role of TVs and the new digital world

Audrius Stonys

“The Bridges fo Time”: why do we do what we do
“The Bridges fo Time”: why do we do what we do
Curiosity is the keyword in documentary filmmaking
Curiosity is the keyword in documentary filmmaking
Growing in the Golden Age of Lithuanian cinema
Growing in the Golden Age of Lithuanian cinema
Openness: from local to global
Openness: from local to global
The uniqueness of different cinematic languages around the world
The uniqueness of different cinematic languages around the world
Cinematic language needs to change constantly
Cinematic language needs to change constantly

Audrius Stonys

Facing the market
Facing the market
My pitching experiences
My pitching experiences
What is filmmaking for me
What is filmmaking for me

Stefano Tealdi

A good pitch might not mean “a good film”
A good pitch might not mean “a good film”
Training documentary professionals
Training documentary professionals
Hook your funders...or die trying...
Hook your funders...or die trying...
Producing a documentary film
Producing a documentary film
Deliver your project with passion
Deliver your project with passion
Moderating the pitch
Moderating the pitch
Social change and the market: the partnership between ESoDoc and Documentary in Europe
Social change and the market: the partnership between ESoDoc and Documentary in Europe

Florian Thalhofer

Cross-media is just a word
Cross-media is just a word
Interactivity in Korsakow software
Interactivity in Korsakow software
My biggest problem
My biggest problem
My biggest satisfaction
My biggest satisfaction
My motivation to start new projects is to discover the hidden side of things
My motivation to start new projects is to discover the hidden side of things
Projects with challenges on the market
Projects with challenges on the market
Storytelling is my interest
Storytelling is my interest
Tendency for the successful projects
Tendency for the successful projects
The golden rules to create a Korsakow project
The golden rules to create a Korsakow project
The Korsakow software
The Korsakow software
The market, from my point of view
The market, from my point of view
Typical mistakes using the Korsakow software
Typical mistakes using the Korsakow software

Lena Thiele

Changing in the way of thinking projects
Changing in the way of thinking projects
Digital storytelling
Digital storytelling
Financing strategies
Financing strategies
How to start a transmedia project
How to start a transmedia project
Is it worth “going transmedia”? It depends from your goals
Is it worth “going transmedia”? It depends from your goals
Technology as a tool to tell good stories
Technology as a tool to tell good stories
The changing media landscape
The changing media landscape
Developments of the market for transmedia projects
Developments of the market for transmedia projects
Differences between linear and transmedia projects
Differences between linear and transmedia projects
Frustrating moments: funding and expectations
Frustrating moments: funding and expectations
Interdisciplinarity: skills for transmedia projects
Interdisciplinarity: skills for transmedia projects
Introducing ourself
Introducing ourself
Motivations push us to do transmedia projects
Motivations push us to do transmedia projects
Our professional history
Our professional history
The need of marketing tools for web documentary
The need of marketing tools for web documentary
The process of developing a transmedia project
The process of developing a transmedia project
Three golden rules to develop transmedia projects
Three golden rules to develop transmedia projects
Three mistakes developing transmedia projects
Three mistakes developing transmedia projects
User experience and contents leads us to develop interface as a tool
User experience and contents leads us to develop interface as a tool
What is a transmedia project
What is a transmedia project
What we do in our profession
What we do in our profession
Work on important topics in an interdisciplinary team: that are our satisfaction
Work on important topics in an interdisciplinary team: that are our satisfaction

Georg Tschurtschenthaler

"The Cleaners": a once-in-a-lifetime project
"The Cleaners": a once-in-a-lifetime project
My professional path
My professional path
The collaboration with online platform in a changing industry
The collaboration with online platform in a changing industry
The distribution strategy of "The Cleaners"
The distribution strategy of "The Cleaners"
The future is a fight for talents and new forms of collaboration
The future is a fight for talents and new forms of collaboration
Working in a changing market: broadcasters, cinema and digital market
Working in a changing market: broadcasters, cinema and digital market

Danielle Turkov

Everything you do with film is politics
Everything you do with film is politics
Impact production today
Impact production today
To achieve impact you need collaboration
To achieve impact you need collaboration
What makes a good impact film?
What makes a good impact film?

Esther Van Messel

First Hand Film – describing my Job
First Hand Film – describing my Job
How we find projects
How we find projects
Our working process
Our working process
What does it means for documentary the development of the new media
What does it means for documentary the development of the new media

Nicole Van Schaik

Films do generate impact!
Films do generate impact!
New funding schemes
New funding schemes
Shifting to foundations
Shifting to foundations
Different format for different use
Different format for different use
Introducing “GoodPitch”
Introducing “GoodPitch”

Iikka Vehkalahti

Take the risk!
Take the risk!
Think global, think universal
Think global, think universal

Emily Verellen

The Fledgling Fund: what are we looking for
The Fledgling Fund: what are we looking for

Moniek Wester Keegstra

The importance of working in team
The importance of working in team

Robert West

Connecting filmmakers and NGOs
Connecting filmmakers and NGOs
Funding documentary films
Funding documentary films
Working on a distribution strategy
Working on a distribution strategy

Margje de Koning

Difficult moments with filmmakers as Commissioning Editor: some useful advises
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Distribution on many platform can help to get impact and financing for the film
Distribution on many platform can help to get impact and financing for the film
Program streams in Dutch Public Broadcasting
Program streams in Dutch Public Broadcasting
Type of documentaries we are looking for
Type of documentaries we are looking for
What is leak in the documentary productions
What is leak in the documentary productions

Fany de la Chica

Connecting with the audiovisual industry at ESoDoc
Connecting with the audiovisual industry at ESoDoc
Focusing on developing your project at ESoDoc
Focusing on developing your project at ESoDoc

Corinne van Egeraat

Impact and participatory video
Impact and participatory video
Respect, time and immagination
Respect, time and immagination

Maarten van Rouveroy

From “news packages” to “creative productions”
From “news packages” to “creative productions”
Greenpeace's film units
Greenpeace's film units
Targeting your audience
Targeting your audience

"Riot": an immersive project using facial recognition technology and 360° sound
"Riot": an immersive project using facial recognition technology and 360° sound
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