Browse by Topic: Audience

How format affects impact
Ondřej Moravec
How format affects impact
Impact production today
Danielle Turkov
Impact production today
What makes a good impact film?
Danielle Turkov
What makes a good impact film?
Cinematic language needs to change constantly
Audrius Stonys
Cinematic language needs to change constantly
Working in a changing market: broadcasters, cinema and digital market
Georg Tschurtschenthaler
Working in a changing market: broadcasters, cinema and digital market
What does it means for documentary the development of the new media
Esther Van Messel
What does it means for documentary the development of the new media
The mission of Interactive Media Foundation
Maya Eriksson
The mission of Interactive Media Foundation
The process of verification in adaptive workflow: testing and adapting
Maya Eriksson
The process of verification in adaptive workflow: testing and adapting
The impact of The look of silence and The act of killing on the audience
Joshua Oppenheimer
The impact of The look of silence and The act of killing on the audience
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
The market model for Netflix / Amazon
Simone Baumann
The market model for Netflix / Amazon
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Margje de Koning
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Documentaries are still a powerful medium to talk to and connect people
Katrine Kiilgaard
Documentaries are still a powerful medium to talk to and connect people
Program streams in Dutch Public Broadcasting
Margje de Koning
Program streams in Dutch Public Broadcasting
What CPH-Dox Festival does
Katrine Kiilgaard
What CPH-Dox Festival does
Being a publisher is working as a strategic consultant
Freddy Neumann
Being a publisher is working as a strategic consultant
Creating an audience: start from the development stage!
Freddy Neumann
Creating an audience: start from the development stage!
The future of the documentary market: we need a new kind of storytelling
Freddy Neumann
The future of the documentary market: we need a new kind of storytelling
ARTE contents: from traditional programming to VR experiences
Alexander Knetig
ARTE contents: from traditional programming to VR experiences
Commissioning at “ARTE Creative”: digital content for younger people
Alexander Knetig
Commissioning at “ARTE Creative”: digital content for younger people
Public services and new media: big changes in society and democracy
Alexander Knetig
Public services and new media: big changes in society and democracy
Business tools for an impact distribution campaign
Sarah Mosses
Business tools for an impact distribution campaign
Formats and platforms in media communication - the role of innovative tools like VR
Nora Guicheney
Formats and platforms in media communication - the role of innovative tools like VR
Médecins Sans Frontières ethical rules
Nora Guicheney
Médecins Sans Frontières ethical rules
Médecins Sans Frontières’ media strategy
Nora Guicheney
Médecins Sans Frontières’ media strategy
Creating universal stories for all audiences
Mike Lerner
Creating universal stories for all audiences
Does the rise of the digital market really impact my film?
Mike Lerner
Does the rise of the digital market really impact my film?
If you want to change the world, you must change the stories first
Wendy Levy
If you want to change the world, you must change the stories first
The impact of animation on young audience
Jan-Dirk Bouw
The impact of animation on young audience
The role of TVs and the new digital world
Bruno Smadja
The role of TVs and the new digital world
Audience and access: VR public exhibitions, web distribution, funding
Mark Atkin
Audience and access: VR public exhibitions, web distribution, funding
Public funding is needed to develop new ways of storytelling
Mark Atkin
Public funding is needed to develop new ways of storytelling
Reaching your audience: experimenting and learning from errors
Sabine Bubeck-Paaz
Reaching your audience: experimenting and learning from errors
The driving force for impact is good storytelling
Sabine Bubeck-Paaz
The driving force for impact is good storytelling
There’s still a place for classical documentary in the digital era
Sabine Bubeck-Paaz
There’s still a place for classical documentary in the digital era
Alternative funding: the “Valigia Blu” case study
Matteo Moretti
Alternative funding: the “Valigia Blu” case study
Audiences on the web: two examples
Matteo Moretti
Audiences on the web: two examples
Understanding the user motivation and ability to raise user engagement
Jamie Balliu
Understanding the user motivation and ability to raise user engagement
Using the data in journalism: quantitative and qualitative data
Matteo Moretti
Using the data in journalism: quantitative and qualitative data
Visual journalism vs data journalism
Matteo Moretti
Visual journalism vs data journalism
Visual journalism: the development process
Matteo Moretti
Visual journalism: the development process
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Define the target audience
Sarah Mosses
Define the target audience
Designing impact strategies: start from the essence of your project
Sarah Mosses
Designing impact strategies: start from the essence of your project
Financing strategies
Lena Thiele
Financing strategies
Gaming, documentary and social change: the impact in society
Kim Daniel Arthur
Gaming, documentary and social change: the impact in society
How to start a transmedia project
Lena Thiele
How to start a transmedia project
Impact distribution strategy: the business plan
Sarah Mosses
Impact distribution strategy: the business plan
Is it worth “going transmedia”? It depends from your goals
Lena Thiele
Is it worth “going transmedia”? It depends from your goals
The '1-9-99' rule on audiences
Sarah Mosses
The '1-9-99' rule on audiences
The changing media landscape
Lena Thiele
The changing media landscape
The communication planning is the most important thing
Sarah Mosses
The communication planning is the most important thing
The importance of strategic partnerships
Sarah Mosses
The importance of strategic partnerships
The planning phase; the team; the importance of the user experience
Sebastian Baurmann
The planning phase; the team; the importance of the user experience
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Cross-media projects currently supported by ZDF
Lucia Haslauer
Cross-media projects currently supported by ZDF
Developments in new media and documentary
Lucia Haslauer
Developments in new media and documentary
My biggest satisfaction
Caroline Mutz
My biggest satisfaction
Developments of documentary for the future
Hanka Kastelicova
Developments of documentary for the future
Our production's characteristics
Hanka Kastelicova
Our production's characteristics
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Mark Atkin
Crossover exhibitions: interactive projects at Sheffield Doc Fest 2015
Golden rule, biggest mistake
Mark Atkin
Golden rule, biggest mistake
How and why we finance our projects
Francesca Panetta
How and why we finance our projects
Social role and implications of interactive projects
Francesca Panetta
Social role and implications of interactive projects
The audience of the Guardian
Francesca Panetta
The audience of the Guardian
The Guardian
Francesca Panetta
The Guardian
The way we can improve our projects with story analysis
Fernanda Rossi
The way we can improve our projects with story analysis
Ethical implications
Ben Kempass
Ethical implications
How can we measure the impact of a campaign?
Ben Kempass
How can we measure the impact of a campaign?
Making documentaries, the power is in the story
Ben Kempass
Making documentaries, the power is in the story
Reasons why I make this job
Ben Kempass
Reasons why I make this job
Relation with fillmakers
Ben Kempass
Relation with fillmakers
Rules to be a good campaigner
Ben Kempass
Rules to be a good campaigner
Successful projects has to show more nuances of reality
Ben Kempass
Successful projects has to show more nuances of reality
The market
Ben Kempass
The market
My motivation to start new projects is to discover the hidden side of things
Florian Thalhofer
My motivation to start new projects is to discover the hidden side of things
Cross-points between documentary and visual communication
Kris Krois
Cross-points between documentary and visual communication
Interactivity in web based projects
Matteo Moretti
Interactivity in web based projects
Media for social change
Kris Krois
Media for social change
Reflections on media and how visual communication can change society
Kris Krois
Reflections on media and how visual communication can change society
What's for me a cross-media project
Matteo Moretti
What's for me a cross-media project
An example of an excellent campaign: Virunga
Sarah Mosses
An example of an excellent campaign: Virunga
Differences between linear and transmedia projects
Lena Thiele
Differences between linear and transmedia projects
Ethical implications
Sarah Mosses
Ethical implications
Moving emotions in audience is the biggest satisfaction
Sarah Mosses
Moving emotions in audience is the biggest satisfaction
Out of region impact of the market
Sarah Mosses
Out of region impact of the market
Strategies on distribution and marketing
Sarah Mosses
Strategies on distribution and marketing
The need of marketing tools for web documentary
Lena Thiele
The need of marketing tools for web documentary
Three golden rules to develop transmedia projects
Lena Thiele
Three golden rules to develop transmedia projects
Three mistakes developing transmedia projects
Lena Thiele
Three mistakes developing transmedia projects
User experience and contents leads us to develop interface as a tool
Lena Thiele
User experience and contents leads us to develop interface as a tool
What is a transmedia project
Lena Thiele
What is a transmedia project
What we do in our profession
Lena Thiele
What we do in our profession
Chances offered by the mew media
Raimo Lång
Chances offered by the mew media
Role of digital gears in developing transmedia projects
Raimo Lång
Role of digital gears in developing transmedia projects
Crowdfunding: creating an audience, creating a distribution strategy
Charlie Phillips
Crowdfunding: creating an audience, creating a distribution strategy
Interactivity for social projects
Jamie Balliu
Interactivity for social projects
The birth of an interactive story
Jamie Balliu
The birth of an interactive story
The changes in the audiovisual markets: where's the money now?
Charlie Phillips
The changes in the audiovisual markets: where's the money now?
There are no golden rules. You have to reasearch
Jamie Balliu
There are no golden rules. You have to reasearch
Today's market: is it the right place for documentary?
Mick Csáky
Today's market: is it the right place for documentary?
Training documentary professionals
Stefano Tealdi
Training documentary professionals
Understanding crowdfunding
Charlie Phillips
Understanding crowdfunding
What is a crossmedia project?
Jamie Balliu
What is a crossmedia project?
Dos and donts in crossmedia
Mike Dicks
Dos and donts in crossmedia
Filmmakers and social campaigns
Mike Dicks
Filmmakers and social campaigns
The Fledgling Fund: what are we looking for
Emily Verellen
The Fledgling Fund: what are we looking for
The new distribution channels
Mike Dicks
The new distribution channels
Translating creativity
Mike Dicks
Translating creativity
Finding an audience
Mike Lerner
Finding an audience
Test your ideas!
Matthieu Lietaert
Test your ideas!
Creating new models for interactive storytelling
Jamie Balliu
Creating new models for interactive storytelling
Designing NGOs communication strategies
Martin Atkin
Designing NGOs communication strategies
Facing the market
Audrius Stonys
Facing the market
Interactivity vs. Story
Martin Atkin
Interactivity vs. Story
Mixing traditional films and new media elements
Jamie Balliu
Mixing traditional films and new media elements
My “key elements” for a documentary
Hugh Purcell
My “key elements” for a documentary
The changes from the mid 90s: the changing role of the documentary filmmaker
Jamie Balliu
The changes from the mid 90s: the changing role of the documentary filmmaker
Who's the audience of online documentaries?
Sandra Gaudenzi
Who's the audience of online documentaries?
What is “Crossover”
Mark Atkin
What is “Crossover”
Arte programmes online
Sabine Bubeck-Paaz
Arte programmes online
Targeting your audience
Maarten van Rouveroy
Targeting your audience
Green TV and the evolution of distribution
Martin Atkin
Green TV and the evolution of distribution
Engaging the audience is an ongoing process
Mark Atkin
Engaging the audience is an ongoing process
Focus on how to engage your audience
Mark Atkin
Focus on how to engage your audience
Teaching the “user journey” at ESoDoc
Jamie Balliu
Teaching the “user journey” at ESoDoc
Campaigning with your film
Hanna Polak
Campaigning with your film
Engaging your audience on various platform
Liz Rosenthal
Engaging your audience on various platform
Ethic in filmmaking
Kelly Matheson
Ethic in filmmaking
Introducing: Liz Rosenthal
Liz Rosenthal
Introducing: Liz Rosenthal
Mobile phones as a new platform for storytelling
Mark Kaigwa
Mobile phones as a new platform for storytelling
Social stories and crossmedia: the essential approach
Liz Rosenthal
Social stories and crossmedia: the essential approach
Working on a distribution strategy
Robert West
Working on a distribution strategy
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