Browse by Topic: Distribution

Viewer behaviour on web by age
Sabine Bubeck-Paaz
Viewer behaviour on web by age
Approaching Impact in a four pronged manner
Becky Hutner
Approaching Impact in a four pronged manner
Content strategy for immersive storytelling for school children
Paulina Tervo
Content strategy for immersive storytelling for school children
How the project found funding and a professional team
Becky Hutner
How the project found funding and a professional team
Jouth as an audience for documentaries, jouth documentaries
Paulina Tervo
Jouth as an audience for documentaries, jouth documentaries
The educational market as opposed to the documentary market
Paulina Tervo
The educational market as opposed to the documentary market
My views on the future of documentary
Ondřej Moravec
My views on the future of documentary
The collaboration with online platform in a changing industry
Georg Tschurtschenthaler
The collaboration with online platform in a changing industry
The distribution strategy of "The Cleaners"
Georg Tschurtschenthaler
The distribution strategy of "The Cleaners"
The future is a fight for talents and new forms of collaboration
Georg Tschurtschenthaler
The future is a fight for talents and new forms of collaboration
First Hand Film – describing my Job
Esther Van Messel
First Hand Film – describing my Job
How we find projects
Esther Van Messel
How we find projects
Our working process
Esther Van Messel
Our working process
What does it means for documentary the development of the new media
Esther Van Messel
What does it means for documentary the development of the new media
The market of interactive media
Maya Eriksson
The market of interactive media
The impact of The look of silence and The act of killing on the audience
Joshua Oppenheimer
The impact of The look of silence and The act of killing on the audience
Documentaries are my favourite: real story of real people
Simone Baumann
Documentaries are my favourite: real story of real people
Market for documentary: distribution, audience, festivals and Netflix...
Simone Baumann
Market for documentary: distribution, audience, festivals and Netflix...
The market model for Netflix / Amazon
Simone Baumann
The market model for Netflix / Amazon
Co-financing innovative forms of documentary
Katrine Kiilgaard
Co-financing innovative forms of documentary
CPH-Dox: the Industry Platform for co-financing
Katrine Kiilgaard
CPH-Dox: the Industry Platform for co-financing
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Margje de Koning
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Program streams in Dutch Public Broadcasting
Margje de Koning
Program streams in Dutch Public Broadcasting
Being a publisher is working as a strategic consultant
Freddy Neumann
Being a publisher is working as a strategic consultant
ARTE contents: from traditional programming to VR experiences
Alexander Knetig
ARTE contents: from traditional programming to VR experiences
My most important professional moments
Alexander Knetig
My most important professional moments
Public services and new media: big changes in society and democracy
Alexander Knetig
Public services and new media: big changes in society and democracy
The rapid expansion and applications of VR in the last years
Mark Atkin
The rapid expansion and applications of VR in the last years
Business tools for an impact distribution campaign
Sarah Mosses
Business tools for an impact distribution campaign
Challenging and successful situations in collaborative environments
Nora Guicheney
Challenging and successful situations in collaborative environments
Formats and platforms in media communication - the role of innovative tools like VR
Nora Guicheney
Formats and platforms in media communication - the role of innovative tools like VR
How can a filmmaker collaborate with Médecins Sans Frontières
Nora Guicheney
How can a filmmaker collaborate with Médecins Sans Frontières
Creating universal stories for all audiences
Mike Lerner
Creating universal stories for all audiences
Does the rise of the digital market really impact my film?
Mike Lerner
Does the rise of the digital market really impact my film?
Every film is different, and every film needs a different financing strategy
Mike Lerner
Every film is different, and every film needs a different financing strategy
Experimenting with digital media and the importance of public funding
Bruno Smadja
Experimenting with digital media and the importance of public funding
Audience and access: VR public exhibitions, web distribution, funding
Mark Atkin
Audience and access: VR public exhibitions, web distribution, funding
Broadcast VS digital distribution: storytelling and characters are the keys
Mark Atkin
Broadcast VS digital distribution: storytelling and characters are the keys
Multiplatform distribution
Mark Atkin
Multiplatform distribution
Public funding is needed to develop new ways of storytelling
Mark Atkin
Public funding is needed to develop new ways of storytelling
Reaching your audience: experimenting and learning from errors
Sabine Bubeck-Paaz
Reaching your audience: experimenting and learning from errors
Alternative funding: the “Valigia Blu” case study
Matteo Moretti
Alternative funding: the “Valigia Blu” case study
Finding the purpose of your project, and measuring its feedback
Jamie Balliu
Finding the purpose of your project, and measuring its feedback
Define the target audience
Sarah Mosses
Define the target audience
Designing impact strategies: start from the essence of your project
Sarah Mosses
Designing impact strategies: start from the essence of your project
Financing strategies
Lena Thiele
Financing strategies
Impact distribution strategy: the business plan
Sarah Mosses
Impact distribution strategy: the business plan
Is it worth “going transmedia”? It depends from your goals
Lena Thiele
Is it worth “going transmedia”? It depends from your goals
Testing testing testing…
Sebastian Baurmann
Testing testing testing…
The '1-9-99' rule on audiences
Sarah Mosses
The '1-9-99' rule on audiences
The changing distribution models in the gaming industry
Kim Daniel Arthur
The changing distribution models in the gaming industry
The changing media landscape
Lena Thiele
The changing media landscape
The communication planning is the most important thing
Sarah Mosses
The communication planning is the most important thing
The importance of strategic partnerships
Sarah Mosses
The importance of strategic partnerships
Use only what is needed for the story: responsive design
Sebastian Baurmann
Use only what is needed for the story: responsive design
Developments in new media and documentary
Lucia Haslauer
Developments in new media and documentary
Golden rules for young documentarians
Lucia Haslauer
Golden rules for young documentarians
New chances with cross-media projects
Lucia Haslauer
New chances with cross-media projects
Introduction and job description
Hanka Kastelicova
Introduction and job description
The documentary projects we are looking for
Hanka Kastelicova
The documentary projects we are looking for
Differences on producing fiction and documentary films
Heino Deckert
Differences on producing fiction and documentary films
How can a project get finances
Heino Deckert
How can a project get finances
Introduction and job description
Heino Deckert
Introduction and job description
From paper to digital media
Francesca Panetta
From paper to digital media
Project life
Francesca Panetta
Project life
Recommendations: strong stories, do not overcomplicate, work in team, testing
Francesca Panetta
Recommendations: strong stories, do not overcomplicate, work in team, testing
The interest of documentarists for cross-media
Mark Atkin
The interest of documentarists for cross-media
How I became a campaign organizer
Ben Kempass
How I became a campaign organizer
Rules to be a good campaigner
Ben Kempass
Rules to be a good campaigner
The market
Ben Kempass
The market
Reflections on media and how visual communication can change society
Kris Krois
Reflections on media and how visual communication can change society
Golden rules for the impact producer
Sarah Mosses
Golden rules for the impact producer
How I became an impact producer
Sarah Mosses
How I became an impact producer
Strategies on distribution and marketing
Sarah Mosses
Strategies on distribution and marketing
The role of impact producer
Sarah Mosses
The role of impact producer
The role of impact producer in project development
Sarah Mosses
The role of impact producer in project development
Creating new models for interactive storytelling
Jamie Balliu
Creating new models for interactive storytelling
Designing NGOs communication strategies
Martin Atkin
Designing NGOs communication strategies
My experience at ESoDoc
Chris Leslie
My experience at ESoDoc
Financing is THE challenge for filmmakers
Yacine Helali
Financing is THE challenge for filmmakers
Arte programmes online
Sabine Bubeck-Paaz
Arte programmes online
Targeting your audience
Maarten van Rouveroy
Targeting your audience
Be realistic with the commissioners
Martin Atkin
Be realistic with the commissioners
Being your own producer
Mick Csáky
Being your own producer
Green TV and the evolution of distribution
Martin Atkin
Green TV and the evolution of distribution
New channels for NGOs
Mick Csáky
New channels for NGOs
Focus on how to engage your audience
Mark Atkin
Focus on how to engage your audience
Adapting storytelling for different platforms
Liz Rosenthal
Adapting storytelling for different platforms
Campaigning with your film
Hanna Polak
Campaigning with your film
Funding documentary films
Robert West
Funding documentary films
Introducing: Liz Rosenthal
Liz Rosenthal
Introducing: Liz Rosenthal
Working on a distribution strategy
Robert West
Working on a distribution strategy
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