Browse by Topic: Profession

Advice for young filmmakers
Sabine Bubeck-Paaz
Advice for young filmmakers
Financing of Web Documentaries
Sabine Bubeck-Paaz
Financing of Web Documentaries
How to think about producing a project
Erik Winker
How to think about producing a project
Impact is thinking about documentaries early on
Sabine Bubeck-Paaz
Impact is thinking about documentaries early on
Motivation for producing
Erik Winker
Motivation for producing
Production company corso film
Erik Winker
Production company corso film
Raimos vision for ESoDoc, storytelling, teamwork, truth
Raimo Lång
Raimos vision for ESoDoc, storytelling, teamwork, truth
The future of creative documentary
Erik Winker
The future of creative documentary
The future of documentary is emotional truth and complexity
Raimo Lång
The future of documentary is emotional truth and complexity
Three things you need as a producer
Erik Winker
Three things you need as a producer
What Erik Winker does
Erik Winker
What Erik Winker does
What makes a good documentary
Sabine Bubeck-Paaz
What makes a good documentary
Why documentaries are great
Sabine Bubeck-Paaz
Why documentaries are great
Work in different segments of documentary market
Erik Winker
Work in different segments of documentary market
Approaching Impact in a four pronged manner
Becky Hutner
Approaching Impact in a four pronged manner
How to submit an idea to Lyfta
Paulina Tervo
How to submit an idea to Lyfta
Jouth as an audience for documentaries, jouth documentaries
Paulina Tervo
Jouth as an audience for documentaries, jouth documentaries
Personal belief led to the film Fashion reimagined
Becky Hutner
Personal belief led to the film Fashion reimagined
Presentation of film Fashion Reimagined
Becky Hutner
Presentation of film Fashion Reimagined
The educational market as opposed to the documentary market
Paulina Tervo
The educational market as opposed to the documentary market
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Paulina Tervo
Working with Lyfta as filmmakers, training in 360 and commissioned projects
Working with producer and relationship Germany Namibia
Penda Diouf
Working with producer and relationship Germany Namibia
Everything you do with film is politics
Danielle Turkov
Everything you do with film is politics
Growing in the Golden Age of Lithuanian cinema
Audrius Stonys
Growing in the Golden Age of Lithuanian cinema
My views on the future of documentary
Ondřej Moravec
My views on the future of documentary
New talents, new angles
Adam Gee
New talents, new angles
The uniqueness of different cinematic languages around the world
Audrius Stonys
The uniqueness of different cinematic languages around the world
To achieve impact you need collaboration
Danielle Turkov
To achieve impact you need collaboration
Diverse partnerships might lead to diverse funding
Shreepali Patel
Diverse partnerships might lead to diverse funding
My professional path
Georg Tschurtschenthaler
My professional path
First Hand Film – describing my Job
Esther Van Messel
First Hand Film – describing my Job
Our working process
Esther Van Messel
Our working process
The use of PV tools to make cinematographic documentary
Lisa Glahn
The use of PV tools to make cinematographic documentary
The mission of Interactive Media Foundation
Maya Eriksson
The mission of Interactive Media Foundation
How I decide the shooting and film style
Joshua Oppenheimer
How I decide the shooting and film style
How I decide to make a film about Indonesia
Joshua Oppenheimer
How I decide to make a film about Indonesia
Ideas and questions was emerging during the editing process of the films
Joshua Oppenheimer
Ideas and questions was emerging during the editing process of the films
Documentaries are my favourite: real story of real people
Simone Baumann
Documentaries are my favourite: real story of real people
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Margje de Koning
Difficult moments with filmmakers as Commissioning Editor: some useful advises
Documentaries are still a powerful medium to talk to and connect people
Katrine Kiilgaard
Documentaries are still a powerful medium to talk to and connect people
Type of documentaries we are looking for
Margje de Koning
Type of documentaries we are looking for
Being a publisher is working as a strategic consultant
Freddy Neumann
Being a publisher is working as a strategic consultant
Commissioning at “ARTE Creative”: digital content for younger people
Alexander Knetig
Commissioning at “ARTE Creative”: digital content for younger people
Describing editor’s profession
Joelle Alexis
Describing editor’s profession
I put myself in work collaboration: I chose the topics related to my personal life
Joelle Alexis
I put myself in work collaboration: I chose the topics related to my personal life
My most important professional moments
Alexander Knetig
My most important professional moments
Practical working method in editing: choose rushes
Joelle Alexis
Practical working method in editing: choose rushes
The dialectic with the director
Joelle Alexis
The dialectic with the director
The essential skill for cross-media and VR productions? Team working
Alexander Knetig
The essential skill for cross-media and VR productions? Team working
The importance to see the rushes before the end of the shooting period
Joelle Alexis
The importance to see the rushes before the end of the shooting period
The key role of the editor in filmmaking; the “Rough Cut” group
Joelle Alexis
The key role of the editor in filmmaking; the “Rough Cut” group
The most beautiful moment in my career
Joelle Alexis
The most beautiful moment in my career
There isn't only one method to choose the right edit
Joelle Alexis
There isn't only one method to choose the right edit
New ways to combine traditional and immersive media
Mark Atkin
New ways to combine traditional and immersive media
Challenging and successful situations in collaborative environments
Nora Guicheney
Challenging and successful situations in collaborative environments
My job and the mission of NAMAC
Wendy Levy
My job and the mission of NAMAC
Reaching a realistic feeling: rotoscoping technique and the sound
Jan-Dirk Bouw
Reaching a realistic feeling: rotoscoping technique and the sound
The evolution of Cross Video Days
Bruno Smadja
The evolution of Cross Video Days
The team in an animated documentary project
Jan-Dirk Bouw
The team in an animated documentary project
Why I make animated documentary
Jan-Dirk Bouw
Why I make animated documentary
Let’s come together: building partnerships for the good of your project
Katerina Cizek
Let’s come together: building partnerships for the good of your project
Managing complexity in the team network
Katerina Cizek
Managing complexity in the team network
The MIT and the Open Documentary Lab
Katerina Cizek
The MIT and the Open Documentary Lab
Multiplatform distribution
Mark Atkin
Multiplatform distribution
Storytelling and technology
Mark Atkin
Storytelling and technology
Development and production strategies in interactive media
Jamie Balliu
Development and production strategies in interactive media
Visual journalism vs data journalism
Matteo Moretti
Visual journalism vs data journalism
Changing in the way of thinking projects
Lena Thiele
Changing in the way of thinking projects
Digital storytelling
Lena Thiele
Digital storytelling
Find the right technology for your story
Sebastian Baurmann
Find the right technology for your story
How to start a transmedia project
Lena Thiele
How to start a transmedia project
Technology as a tool to tell good stories
Lena Thiele
Technology as a tool to tell good stories
Testing testing testing…
Sebastian Baurmann
Testing testing testing…
There are principles in storytelling, but no fixed formulas: dynamic storylines
Fernanda Rossi
There are principles in storytelling, but no fixed formulas: dynamic storylines
Two ways to see storytelling
Fernanda Rossi
Two ways to see storytelling
We need to balance passion and intellect
Fernanda Rossi
We need to balance passion and intellect
What is gaming
Kim Daniel Arthur
What is gaming
(My) Biggest mistake
Caroline Mutz
(My) Biggest mistake
Connecting new media filmmakers with traditional broadcasters
Lucia Haslauer
Connecting new media filmmakers with traditional broadcasters
Golden rules for producers
Caroline Mutz
Golden rules for producers
How to prepare for pitching? Breath and communicate!
Christine Loriol
How to prepare for pitching? Breath and communicate!
Introduction and job description
Christine Loriol
Introduction and job description
Introduction and job description
Lucia Haslauer
Introduction and job description
My biggest satisfaction
Caroline Mutz
My biggest satisfaction
The biggest problem
Caroline Mutz
The biggest problem
Introduction and job description
Hanka Kastelicova
Introduction and job description
My biggest satisfaction as commissioning editor
Hanka Kastelicova
My biggest satisfaction as commissioning editor
Team collaboration for productions: my motivation
Hanka Kastelicova
Team collaboration for productions: my motivation
Introduction and job description
Leena Pasanen
Introduction and job description
Introduction and job description
Heino Deckert
Introduction and job description
Satisfactions in my job
Heino Deckert
Satisfactions in my job
Golden rules developing projects
Sebastian Baurmann
Golden rules developing projects
How I became an art director in digital media
Sebastian Baurmann
How I became an art director in digital media
Prototyping is the core in developing projects
Sebastian Baurmann
Prototyping is the core in developing projects
Skills to become an art director in digital media
Sebastian Baurmann
Skills to become an art director in digital media
The film team members of a film project
Sebastian Baurmann
The film team members of a film project
Time needed to develop projects
Sebastian Baurmann
Time needed to develop projects
What is digital media; work as art director
Sebastian Baurmann
What is digital media; work as art director
Developing multimedia projects is a huge team work activity
Francesca Panetta
Developing multimedia projects is a huge team work activity
How we develop an interactive project
Francesca Panetta
How we develop an interactive project
Making sound an important part of contents description
Francesca Panetta
Making sound an important part of contents description
My job history and description
Francesca Panetta
My job history and description
My work as special project editor
Francesca Panetta
My work as special project editor
Presentation and job description
Mark Atkin
Presentation and job description
Project life
Francesca Panetta
Project life
Pros and cons working in new media
Francesca Panetta
Pros and cons working in new media
Recommendations: strong stories, do not overcomplicate, work in team, testing
Francesca Panetta
Recommendations: strong stories, do not overcomplicate, work in team, testing
Skills to become a special project editor
Francesca Panetta
Skills to become a special project editor
Be ready to collaborate with a writer
Fernanda Rossi
Be ready to collaborate with a writer
For me there is only one rule: listen
Fernanda Rossi
For me there is only one rule: listen
How i became a story analyst
Fernanda Rossi
How i became a story analyst
Introduction and job description
Fernanda Rossi
Introduction and job description
The way we can improve our projects with story analysis
Fernanda Rossi
The way we can improve our projects with story analysis
Criteria to choose projects
Ben Kempass
Criteria to choose projects
Ethical implications
Ben Kempass
Ethical implications
Inroduction
Ben Kempass
Inroduction
Relation with fillmakers
Ben Kempass
Relation with fillmakers
Rules to be a good campaigner
Ben Kempass
Rules to be a good campaigner
Skills to become a campaign creator
Ben Kempass
Skills to become a campaign creator
My biggest problem
Florian Thalhofer
My biggest problem
My biggest satisfaction
Florian Thalhofer
My biggest satisfaction
Storytelling is my interest
Florian Thalhofer
Storytelling is my interest
The market, from my point of view
Florian Thalhofer
The market, from my point of view
Chances for video journalism in the market
Kris Krois
Chances for video journalism in the market
Introduction and job history
Kris Krois
Introduction and job history
Meanings of visual communication (for me)
Kris Krois
Meanings of visual communication (for me)
My professional background allows me to became a generative designer
Matteo Moretti
My professional background allows me to became a generative designer
My teaching is web and motion design based on project
Matteo Moretti
My teaching is web and motion design based on project
Some rules and some mistakes
Kris Krois
Some rules and some mistakes
Teaching glocal design / eco-social design
Kris Krois
Teaching glocal design / eco-social design
The different backgrounds that make me a visual communication teacher / designer
Kris Krois
The different backgrounds that make me a visual communication teacher / designer
Three golden rules
Matteo Moretti
Three golden rules
An example of an excellent campaign: Virunga
Sarah Mosses
An example of an excellent campaign: Virunga
Interdisciplinarity: skills for transmedia projects
Lena Thiele
Interdisciplinarity: skills for transmedia projects
Introducing ourself
Lena Thiele
Introducing ourself
Motivations push us to do transmedia projects
Lena Thiele
Motivations push us to do transmedia projects
Moving emotions in audience is the biggest satisfaction
Sarah Mosses
Moving emotions in audience is the biggest satisfaction
My job
Sarah Mosses
My job
My only worry is my full email inbox …
Sarah Mosses
My only worry is my full email inbox …
Our professional history
Lena Thiele
Our professional history
Skills for impact producers
Sarah Mosses
Skills for impact producers
The ideal team for a documentary with social impact
Sarah Mosses
The ideal team for a documentary with social impact
The role of impact producer (… for dummies :)
Sarah Mosses
The role of impact producer (… for dummies :)
Things to avoid for a successful campaign
Sarah Mosses
Things to avoid for a successful campaign
Three golden rules to develop transmedia projects
Lena Thiele
Three golden rules to develop transmedia projects
What we do in our profession
Lena Thiele
What we do in our profession
Work on important topics in an interdisciplinary team: that are our satisfaction
Lena Thiele
Work on important topics in an interdisciplinary team: that are our satisfaction
Reasons why I started doing new media projects
Raimo Lång
Reasons why I started doing new media projects
The “bread hole” as a metaphor
Raimo Lång
The “bread hole” as a metaphor
Co-producations are fun...and valuable!
Mick Csáky
Co-producations are fun...and valuable!
Films do generate impact!
Nicole Van Schaik
Films do generate impact!
Focus, specialize and talk to your team
Jamie Balliu
Focus, specialize and talk to your team
How I deal with people
Sibylle Kurz
How I deal with people
My journey as crossmedia storyteller
Michael Grotenhoff
My journey as crossmedia storyteller
The importance (and the dangers) of feedbacks
Sibylle Kurz
The importance (and the dangers) of feedbacks
There are no golden rules. You have to reasearch
Jamie Balliu
There are no golden rules. You have to reasearch
Allow yourself to do it wrong
Fernanda Rossi
Allow yourself to do it wrong
Being a documentarian
Tonje Hessen-Schei
Being a documentarian
ESoDoc and Drone
Tonje Hessen-Schei
ESoDoc and Drone
Financing Participatory Video Projects
Angelo Loy
Financing Participatory Video Projects
Remember the last time you falled in love with your project
Fernanda Rossi
Remember the last time you falled in love with your project
Satisfactions and disappointments
Angelo Loy
Satisfactions and disappointments
The Fledgling Fund: what are we looking for
Emily Verellen
The Fledgling Fund: what are we looking for
Using social media, communicating with your audience
Mike Dicks
Using social media, communicating with your audience
Documentaries today
Mike Lerner
Documentaries today
Respect, time and immagination
Corinne van Egeraat
Respect, time and immagination
Test your ideas!
Matthieu Lietaert
Test your ideas!
The bricks to construct a film
Rehad Desai
The bricks to construct a film
The Brussels Business
Matthieu Lietaert
The Brussels Business
The challenges of a producer
Mike Lerner
The challenges of a producer
Creating new models for interactive storytelling
Jamie Balliu
Creating new models for interactive storytelling
Do your homework!
Martin Atkin
Do your homework!
Ethical issues in filmmaking
Flora Gregory
Ethical issues in filmmaking
Facing the market
Audrius Stonys
Facing the market
Interactive vs. Crossmedia: yes, there are differences!
Sandra Gaudenzi
Interactive vs. Crossmedia: yes, there are differences!
My experience at ESoDoc
Chris Leslie
My experience at ESoDoc
Producing a documentary film
Stefano Tealdi
Producing a documentary film
The importance of research and preparation
Mick Csáky
The importance of research and preparation
The role of the filmmaker
Mick Csáky
The role of the filmmaker
Three Golden Rules for filmmakers
Flora Gregory
Three Golden Rules for filmmakers
Too many terms...too much confusion
Sandra Gaudenzi
Too many terms...too much confusion
What is filmmaking for me
Audrius Stonys
What is filmmaking for me
Working with international co-productions
Mick Csáky
Working with international co-productions
Take the risk!
Iikka Vehkalahti
Take the risk!
Think global, think universal
Iikka Vehkalahti
Think global, think universal
Let's create the reality which is most insightful
Joshua Oppenheimer
Let's create the reality which is most insightful
“The Act of Killing”: the commissioning process
Sabine Bubeck-Paaz
“The Act of Killing”: the commissioning process
BBC: how has it changed
Hugh Purcell
BBC: how has it changed
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